{"id":32860,"date":"2026-10-25T12:59:36","date_gmt":"2026-10-25T11:59:36","guid":{"rendered":"https:\/\/intervista.al\/web\/?p=32860"},"modified":"2026-10-25T12:59:37","modified_gmt":"2026-10-25T11:59:37","slug":"flet-regjisori-valmir-tertini-pas-luanit-te-argjendte-ne-venecia","status":"publish","type":"post","link":"https:\/\/intervista.al\/web\/2026\/10\/flet-regjisori-valmir-tertini-pas-luanit-te-argjendte-ne-venecia\/","title":{"rendered":"Flet regjisori Valmir Tertini, pas \u201cLuanit t\u00eb Argjendt\u00eb\u201d n\u00eb Venecia&#8230;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em><strong>P\u00ebr mua, liria m\u00eb e madhe e nj\u00eb regjisori \u00ebsht\u00eb t\u00eb mos b\u00ebhet peng i suksesit t\u00eb vet<\/strong>&#8230;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Regjisori dhe producenti shqiptar Valmir Tertini vijon t\u00eb sh\u00ebnoj\u00eb arritje n\u00eb rrug\u00ebtimin e tij artistik, duke e \u00e7uar krijimtarin\u00eb shqiptare p\u00ebrtej kufijve. Vler\u00ebsimi me \u201cLuanin e Argjendt\u00eb\u201d t\u00eb MostraLidos n\u00eb Venecia dhe \u00e7mimi p\u00ebr dokumentarin m\u00eb t\u00eb mir\u00eb p\u00ebr Pinocchio\u2019s Harvard p\u00ebrb\u00ebjn\u00eb momente t\u00eb r\u00ebnd\u00ebsishme n\u00eb karrier\u00ebn e tij, por edhe d\u00ebshmi t\u00eb nj\u00eb qasjeje artistike q\u00eb vendos n\u00eb qend\u00ebr njeriun, historit\u00eb e tij dhe detajet q\u00eb shpesh kalojn\u00eb pa u v\u00ebn\u00eb re.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>P\u00ebr INTERVISTA.al, Valmir Tertini rr\u00ebfen emocionet e nj\u00eb vler\u00ebsimi t\u00eb papritur, rrug\u00ebtimin e dokumentarit Pinocchio\u2019s Harvard dhe ndikimin q\u00eb kinematografia v\u00ebzhguese ka pasur n\u00eb m\u00ebnyr\u00ebn se si ai e sheh realitetin. Ai flet gjithashtu p\u00ebr lirin\u00eb krijuese, p\u00ebrgjegj\u00ebsin\u00eb q\u00eb sjell suksesi dhe projektet e ardhshme, t\u00eb cilat, si\u00e7 shprehet vet\u00eb, synojn\u00eb gjithmon\u00eb t\u00eb jen\u00eb m\u00eb t\u00eb m\u00ebdha dhe m\u00eb sfiduese se ato t\u00eb m\u00ebparshmet.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>-Valmir, \u201cLuani i Argjendt\u00eb\u201d n\u00eb Venecia \u00ebsht\u00eb nj\u00eb vler\u00ebsim q\u00eb vjen pas shum\u00eb p\u00ebrpjekjesh, historish dhe sfidash. Kur e more k\u00ebt\u00eb \u00e7mim n\u00eb duar, cili ishte mendimi i par\u00eb q\u00eb t\u00eb kaloi n\u00eb mendje, p\u00ebr nj\u00eb njeri, nj\u00eb sakrific\u00eb apo p\u00ebr nj\u00eb \u00ebnd\u00ebrr q\u00eb m\u00eb n\u00eb fund mori form\u00eb?<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Nuk e prisja. Madje, kur producenti m\u00eb tha se do t\u00eb m\u00eb propozonte p\u00ebr Luanin e Argjendt\u00eb t\u00eb MostraLidos, i thash\u00eb t\u00eb mos e b\u00ebnte, sepse m\u2019u duk vetja pak i ri p\u00ebr k\u00ebt\u00eb \u00e7mim. Zakonisht ai jepet m\u00eb von\u00eb n\u00eb karrier\u00eb, por ai e kishte b\u00ebr\u00eb propozimin dhe juria me 7 an\u00ebtar\u00eb vendosi q\u00eb un\u00eb t\u00eb nderohesha p\u00ebr kontributin dhe bashk\u00ebpunimin me Italin\u00eb, i cili nisi q\u00eb nga viti 2018 me filmin Vule. Ishte nj\u00eb nder i madh p\u00ebr mua. Pik\u00ebrisht n\u00eb dit\u00ebn e ndarjes s\u00eb \u00e7mimeve kryesore, m\u00eb 12 shtator, s\u00eb bashku me presidentin e La Biennale Pietrangelo Buttafuoco, pranova Luanin e Argjendt\u00eb t\u00eb MostraLidos ne Venecia. Arti q\u00eb krijon vler\u00ebsohet, dhe kjo \u00ebsht\u00eb arsye p\u00ebr ta bere, s\u00eb pari p\u00ebr veten dhe pastaj p\u00ebr t\u00eb tjer\u00ebt. P\u00ebr mua, \u201cLuani i Argjendt\u00eb\u201d nuk \u00ebsht\u00eb pik\u00eb mb\u00ebrritjeje. \u00cbsht\u00eb nj\u00eb kujtes\u00eb e bukur e asaj se nga kam ardhur dhe nj\u00eb arsye m\u00eb shum\u00eb p\u00ebr t\u00eb vazhduar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>-N\u00eb kinematografi, regjisori shpesh duhet t\u00eb shoh\u00eb at\u00eb q\u00eb t\u00eb tjer\u00ebt nuk e v\u00ebn\u00eb re. A ka ndodhur q\u00eb nj\u00eb histori t\u00eb t\u00eb ndryshoj\u00eb ty si njeri, p\u00ebrpara se ti t\u00eb arrije t&#8217;i jepje form\u00eb si krijues? Cila ka qen\u00eb ajo p\u00ebrvoj\u00eb?<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Nj\u00eb p\u00ebrvoj\u00eb e r\u00ebnd\u00ebsishme ka qen\u00eb puna ime me dokumentarin v\u00ebzhgues. Kur q\u00ebndron p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb pran\u00eb njer\u00ebzve, pa nd\u00ebrhyr\u00eb dhe pa u p\u00ebrpjekur ta drejtosh realitetin, fillon t\u00eb kuptosh gj\u00ebra q\u00eb n\u00eb jet\u00ebn e p\u00ebrditshme shpesh i kalojm\u00eb pa i v\u00ebn\u00eb re.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00eb ka ndryshuar ve\u00e7an\u00ebrisht m\u00ebnyra se si e kuptoj heshtjen. Dikur mendoja se nj\u00eb histori e mir\u00eb duhej t\u00eb kishte ngjarje t\u00eb forta, dialog\u00eb apo momente dramatike. Sot besoj se ndonj\u00ebher\u00eb nj\u00eb heshtje, nj\u00eb gjest i vog\u00ebl apo nj\u00eb v\u00ebshtrim mund t\u00eb tregoj\u00eb shum\u00eb m\u00eb tep\u00ebr. Kjo p\u00ebrvoj\u00eb ka ndikuar edhe n\u00eb k\u00ebrkimin tim shkencor mbi efektin e filmit te njeriu, ku p\u00ebrpiqem t\u00eb kuptoj marr\u00ebdh\u00ebnien mes imazhit, perceptimit, emocioneve dhe shoq\u00ebris\u00eb. Sa m\u00eb shum\u00eb studioj kineman\u00eb, aq m\u00eb shum\u00eb kuptoj se ajo nuk \u00ebsht\u00eb thjesht nj\u00eb mjet p\u00ebr t\u00eb treguar histori. \u00cbsht\u00eb edhe nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb kuptuar njeriun. N\u00eb fund, nj\u00eb film i mir\u00eb nuk duhet domosdoshm\u00ebrisht t\u00eb na jap\u00eb p\u00ebrgjigje. Ndonj\u00ebher\u00eb mjafton t\u00eb na b\u00ebj\u00eb t\u00eb shtrojm\u00eb pyetje q\u00eb m\u00eb par\u00eb nuk ia kishim b\u00ebr\u00eb vetes.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1187\" data-id=\"32862\" src=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-1024x1187.jpg\" alt=\"\" class=\"wp-image-32862\" srcset=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-1024x1187.jpg 1024w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-199x231.jpg 199w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-299x347.jpg 299w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-768x890.jpg 768w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-1325x1536.jpg 1325w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-1766x2048.jpg 1766w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-300x349.jpg 300w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-640x742.jpg 640w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9233-680x789.jpg 680w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"32865\" src=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-1024x768.jpg\" alt=\"\" class=\"wp-image-32865\" srcset=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-1024x768.jpg 1024w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-300x225.jpg 300w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-200x150.jpg 200w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-768x576.jpg 768w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-1536x1152.jpg 1536w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-2048x1536.jpg 2048w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-560x420.jpg 560w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-80x60.jpg 80w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-100x75.jpg 100w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-180x135.jpg 180w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-238x178.jpg 238w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-640x480.jpg 640w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_5030-681x511.jpg 681w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1546\" data-id=\"32863\" src=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-1024x1546.jpg\" alt=\"\" class=\"wp-image-32863\" srcset=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-1024x1546.jpg 1024w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-300x453.jpg 300w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-200x302.jpg 200w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-767x1159.jpg 767w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-1017x1536.jpg 1017w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-1356x2048.jpg 1356w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-231x349.jpg 231w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-264x399.jpg 264w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-639x965.jpg 639w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-680x1027.jpg 680w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_9260-scaled.jpg 1695w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1369\" data-id=\"32861\" src=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-1024x1369.jpg\" alt=\"\" class=\"wp-image-32861\" srcset=\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-1024x1369.jpg 1024w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-200x267.jpg 200w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-300x401.jpg 300w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-767x1026.jpg 767w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-1149x1536.jpg 1149w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-1532x2048.jpg 1532w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-261x349.jpg 261w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-299x400.jpg 299w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-639x855.jpg 639w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-681x910.jpg 681w, https:\/\/intervista.al\/web\/wp-content\/uploads\/2026\/10\/IMG_7946-scaled.jpg 1915w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>-Pinocchio\u2019s Harvard t\u00eb solli vler\u00ebsimin p\u00ebr dokumentarin m\u00eb t\u00eb mir\u00eb t\u00eb edicionit. \u00c7far\u00eb kishte kjo histori q\u00eb nuk t\u00eb la t\u00eb qet\u00eb derisa vendose ta ktheje n\u00eb film? Dhe \u00e7far\u00eb do t\u00eb doje t\u00eb kuptonte publiku p\u00ebrtej asaj q\u00eb sheh n\u00eb ekran?<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>&#8211;<\/em>Ajo q\u00eb m\u00eb t\u00ebrhoqi te Pinocchio\u2019s eshte se si nj\u00eb piceri e vog\u00ebl \u00ebsht\u00eb b\u00ebr\u00eb pjes\u00eb e kujtes\u00ebs s\u00eb atij komuniteti. Aty kan\u00eb kaluar njer\u00ebz t\u00eb zakonsh\u00ebm, student\u00eb, profesor\u00eb, por edhe personalitete q\u00eb m\u00eb von\u00eb kan\u00eb ndikuar n\u00eb bot\u00eb. Megjithat\u00eb, p\u00ebr mua nuk ishin emrat e famsh\u00ebm arsyeja p\u00ebr ta realizuar filmin. Ishte fakti q\u00eb nj\u00eb hap\u00ebsir\u00eb kaq e zakonshme mund t\u00eb mbaj\u00eb brenda saj kaq shum\u00eb histori njer\u00ebzore. P\u00ebr k\u00ebt\u00eb arsye vendosa ta realizoj p\u00ebrmes kinemas\u00eb v\u00ebzhguese, pa intervista dhe pa narracion. Nuk doja t&#8217;i tregoja publikut \u00e7far\u00eb duhej t\u00eb mendonte. Doja t&#8217;i jepja mund\u00ebsin\u00eb t\u00eb v\u00ebzhgonte, t\u00eb ndiente dhe t\u00eb nxirrte vet\u00eb p\u00ebrfundimet. Filmi u realizua me shum\u00eb durim, gjat\u00eb nj\u00eb periudhe afro dyvje\u00e7are, me nj\u00eb besim t\u00eb madh te historia. Historia eshte ku njer\u00ebzit hyjn\u00eb dhe dalin \u00e7do dit\u00eb pa menduar se po b\u00ebhen pjes\u00eb e saj. Dokumentarit nuk \u00ebsht\u00eb gjithmon\u00eb per te zbuluar di\u00e7ka t\u00eb panjohur, por nganj\u00ebher\u00eb t\u00eb na m\u00ebsoj\u00eb ta shohim ndryshe at\u00eb q\u00eb e kemi p\u00ebrpara syve. K\u00ebshtu ne mor\u00ebm kat\u00ebr \u00e7mime nga Corti Vittorio Veneto, pjes\u00eb e edicionit t\u00eb 83-t\u00eb t\u00eb Venecia Film Festival.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>-T\u00eb vler\u00ebsohesh n\u00eb Venecia \u00ebsht\u00eb nj\u00eb moment i r\u00ebnd\u00ebsish\u00ebm, por edhe nj\u00eb pik\u00eb nga e cila gjith\u00e7ka vazhdon. A ndien se ky \u00e7mim t\u00eb jep m\u00eb shum\u00eb liri p\u00ebr t\u00eb guxuar me projektet e ardhshme, apo t\u00eb vendos p\u00ebrball\u00eb nj\u00eb p\u00ebrgjegj\u00ebsie edhe m\u00eb t\u00eb madhe?<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nj\u00eb vler\u00ebsim nd\u00ebrkomb\u00ebtar t\u00eb jep m\u00eb shum\u00eb besim p\u00ebr t\u00eb vazhduar rrug\u00ebn t\u00ebnde artistike. Un\u00eb kam qen\u00eb gjithmon\u00eb i interesuar p\u00ebr filmin si k\u00ebrkim artistik dhe njer\u00ebzor, jo vet\u00ebm si produkt q\u00eb duhet t\u00eb p\u00eblqehet apo t\u00eb shitet. N\u00eb k\u00ebt\u00eb kuptim, nj\u00eb \u00e7mim nuk duhet t\u00eb m\u00eb ndryshoj\u00eb m\u00ebnyr\u00ebn se si krijoj, por t\u00eb m\u00eb jap\u00eb m\u00eb shum\u00eb mund\u00ebsi p\u00ebr ta zhvilluar at\u00eb. Nga ana tjet\u00ebr, p\u00ebrgjegj\u00ebsia rritet, jo vet\u00ebm ndaj publikut, por edhe ndaj vetes. Kam projekte q\u00eb k\u00ebrkojn\u00eb koh\u00eb, durim dhe guxim artistik, padyshim jan\u00eb t\u00eb m\u00ebdha, gjithmon\u00eb projekti im i radh\u00ebs \u00ebsht\u00eb m\u00eb i madh sesa i kaluari. I dua temat e guximshme, ato q\u00eb dikush duhet t\u00eb mendoj\u00eb 2-3 her\u00eb a ta b\u00ebj apo jo, pra gjithmone zgjedh at\u00eb q\u00eb \u00ebsht\u00eb v\u00ebshtir\u00eb p\u00ebr t\u2019u realizuar. P\u00ebr mua, liria m\u00eb e madhe e nj\u00eb regjisori \u00ebsht\u00eb t\u00eb mos b\u00ebhet peng i suksesit t\u00eb vet. N\u00ebse nj\u00eb \u00e7mim ka kuptim, at\u00ebher\u00eb duhet t\u00eb t\u00eb jap\u00eb kuraj\u00eb t\u00eb rrezikosh m\u00eb shum\u00eb artistikisht.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>-N\u00ebse nj\u00eb dit\u00eb dikush do t\u00eb realizonte nj\u00eb dokumentar p\u00ebr jet\u00ebn t\u00ebnde, cil\u00ebn pjes\u00eb t\u00eb historis\u00eb s\u00eb Valmir Tertinit do t\u00eb doje t\u00eb mos e anashkalonte? Dhe a do t\u00eb kishe guximin ta lije kamer\u00ebn t\u00eb tregonte edhe ato an\u00eb t\u00eb tuat q\u00eb publiku nuk i njeh?<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Un\u00eb p\u00ebr vete nuk do ta b\u00ebja, madje as s\u2019m\u00eb ka shkuar mendja ndonj\u00ebher\u00eb. N\u00ebse dikush dikur do ta b\u00ebnte, nuk do t\u2019i nd\u00ebrhyja, ashtu si\u00e7 nuk lejoj un\u00eb t\u00eb nd\u00ebrhyj\u00eb n\u00eb krijimtarin\u00eb time artistike. \u00c7do vep\u00ebr i p\u00ebrket atij q\u00eb e krijon. Por q\u00eb do t\u2019i dilte shum\u00eb pun\u00eb me xhirime e ka t\u00eb sigurt, duhet t\u00eb b\u00ebj\u00eb dy kontinentet bashk\u00eb. An\u00ebn time q\u00eb publiku nuk e njeh do ta l\u00eb n\u00eb nj\u00eb lib\u00ebr, n\u00ebse dikujt ndonj\u00ebher\u00eb do t\u2019i duhej. Dhe n\u00ebse ai dokumentar do t\u00eb kishte nj\u00eb mesazh, do t\u00eb doja t\u00eb ishte ky: mos e matni jet\u00ebn e nj\u00eb njeriu vet\u00ebm me at\u00eb q\u00eb ka arritur, por edhe me at\u00eb q\u00eb ka qen\u00eb i gatsh\u00ebm t\u00eb sakrifikoj\u00eb pa e ditur n\u00ebse do t&#8217;ia dal\u00eb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00ebr mua, liria m\u00eb e madhe e nj\u00eb regjisori \u00ebsht\u00eb t\u00eb mos b\u00ebhet peng i suksesit t\u00eb vet&#8230; Regjisori dhe producenti shqiptar Valmir Tertini vijon t\u00eb sh\u00ebnoj\u00eb arritje n\u00eb rrug\u00ebtimin e tij artistik, duke e \u00e7uar krijimtarin\u00eb shqiptare p\u00ebrtej kufijve. Vler\u00ebsimi me \u201cLuanin e Argjendt\u00eb\u201d t\u00eb MostraLidos n\u00eb Venecia dhe \u00e7mimi p\u00ebr dokumentarin m\u00eb t\u00eb [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":32864,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[415,3855],"tags":[2039],"class_list":["post-32860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-showbiz","category-televizion-spektakel","tag-valmir-tertini"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/32860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=32860"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/32860\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/32864"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=32860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=32860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=32860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}