Nga Rudina Papajani<\/p>\n\n\n\n
N\u00eb historin\u00eb e kinemas\u00eb shqiptare ka filma q\u00eb mbeten si kujtes\u00eb artistike dhe ka filma q\u00eb shnd\u00ebrrohen n\u00eb pik\u00eb referimi p\u00ebr m\u00ebnyr\u00ebn se si konceptohet arti filmik. “Pharmakon” \u00ebsht\u00eb nj\u00eb prej tyre. N\u00ebn regjin\u00eb dhe skenarin e Joni Shanajt, kjo vep\u00ebr nuk nd\u00ebrtohet mbi formulat e zakonshme t\u00eb kinemas\u00eb komerciale, por mbi guximin p\u00ebr t\u00eb eksploruar njeriun n\u00eb thell\u00ebsin\u00eb e tij morale, psikologjike dhe filozofike. Filmi u p\u00ebrzgjodh si kandidatura e Shqip\u00ebris\u00eb p\u00ebr \u00e7mimin Oscar p\u00ebr Filmin m\u00eb t\u00eb Mir\u00eb Nd\u00ebrkomb\u00ebtar, duke e b\u00ebr\u00eb at\u00eb nj\u00eb nga veprat m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb kinemas\u00eb shqiptare t\u00eb viteve t\u00eb fundit.
Joni Shanaj d\u00ebshmon se regjisori i v\u00ebrtet\u00eb nuk \u00ebsht\u00eb vet\u00ebm rr\u00ebfimtar, por edhe mendimtar. Ai nd\u00ebrton nj\u00eb univers ku heshtja flet po aq sa dialogu, ku \u00e7do plan filmik ka pesh\u00ebn e nj\u00eb metafore dhe ku ritmi i ngadalt\u00eb nuk \u00ebsht\u00eb munges\u00eb veprimi, por nj\u00eb zgjedhje artistike q\u00eb i jep koh\u00eb shikuesit t\u00eb dep\u00ebrtoj\u00eb n\u00eb bot\u00ebn e personazheve.
Vet\u00eb titulli “Pharmakon”, q\u00eb n\u00eb filozofin\u00eb e lasht\u00eb greke n\u00ebnkupton nj\u00ebkoh\u00ebsisht ila\u00e7in dhe helmin, b\u00ebhet boshti simbolik i filmit. Kjo dykuptim\u00ebsi p\u00ebrshkon t\u00eb gjith\u00eb rr\u00ebfimin, duke ngritur pyetje mbi pushtetin, t\u00eb v\u00ebrtet\u00ebn, manipulimin dhe shp\u00ebtimin. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, filmi nuk kufizohet te historia e personazheve, por shnd\u00ebrrohet n\u00eb nj\u00eb reflektim mbi shoq\u00ebrin\u00eb shqiptare dhe kriz\u00ebn morale t\u00eb individit.
Nj\u00eb nga shtyllat m\u00eb t\u00eb forta t\u00eb filmit \u00ebsht\u00eb interpretimi i Niko Kanxherit, i cili nd\u00ebrton figur\u00ebn e doktor Sokratit me nj\u00eb fines\u00eb t\u00eb admirueshme. Pa r\u00ebn\u00eb n\u00eb teprime teatrale, ai krijon nj\u00eb personazh kompleks, t\u00eb ftoht\u00eb, enigmatik dhe autoritar, ku pushteti dhe frika bashk\u00ebjetojn\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb natyrshme. Loja e tij mb\u00ebshtetet te nuancat, te shikimi, te heshtja dhe te prania skenike, duke d\u00ebshmuar p\u00ebrvoj\u00ebn e nj\u00eb aktori q\u00eb di ta shnd\u00ebrroj\u00eb minimalizmin n\u00eb forc\u00eb artistike.
Po aq dinjitoz \u00ebsht\u00eb edhe ansambli i aktor\u00ebve, ku spikasin Klevis Bega, Olta Gixhari, Vasil Goda, Pano Aliu, Jonida Shehu dhe emra t\u00eb tjer\u00eb, t\u00eb cil\u00ebt krijojn\u00eb nj\u00eb harmoni interpretimi q\u00eb i sh\u00ebrben plot\u00ebsisht vizionit t\u00eb regjisorit. Askush nuk p\u00ebrpiqet t\u00eb dominoj\u00eb mbi tjetrin; secili b\u00ebhet pjes\u00eb e nj\u00eb organizmi artistik t\u00eb vet\u00ebm, ku \u00e7do rol ka funksionin dhe pesh\u00ebn e vet dramatike.
Forca m\u00eb e madhe e “Pharmakon” q\u00ebndron n\u00eb faktin se ai nuk i jep publikut p\u00ebrgjigje t\u00eb gatshme. Ai e sfidon shikuesin t\u00eb mendoj\u00eb, t\u00eb dyshoj\u00eb dhe t\u00eb rikthehet vazhdimisht te kuptimi i asaj q\u00eb ka par\u00eb. Ky \u00ebsht\u00eb arti i kinemas\u00eb s\u00eb v\u00ebrtet\u00eb: t\u00eb mos mbyll\u00eb pyetjet, por t’i hap\u00eb ato edhe m\u00eb shum\u00eb.
“Pharmakon” mbetet d\u00ebshmi e talentit krijues t\u00eb Joni Shanajt, nj\u00eb regjisori q\u00eb ka zgjedhur rrug\u00ebn e autorit dhe jo t\u00eb kompromisit artistik. Nj\u00ebkoh\u00ebsisht, ai \u00ebsht\u00eb edhe nj\u00eb homazh p\u00ebr aktor\u00eb t\u00eb p\u00ebrmas\u00ebs s\u00eb Niko Kanxherit dhe p\u00ebr t\u00eb gjith\u00eb trup\u00ebn interpretuese, q\u00eb me profesionaliz\u00ebm dhe ndershm\u00ebri artistike i dhan\u00eb jet\u00eb nj\u00eb filmi q\u00eb vazhdon t\u00eb flas\u00eb me gjuh\u00ebn universale t\u00eb artit.
“Pharmakon” nuk \u00ebsht\u00eb thjesht nj\u00eb film shqiptar. \u00cbsht\u00eb nj\u00eb vep\u00ebr q\u00eb d\u00ebshmon se edhe kinemaja jon\u00eb mund t\u00eb prodhoj\u00eb art me identitet, me filozofi dhe me dinjitet estetik, duke l\u00ebn\u00eb gjurm\u00eb jo vet\u00ebm n\u00eb ekran, por edhe n\u00eb nd\u00ebrgjegjen e publikut si e percepton\u2026<\/p>\n\n\n\n
Rudina Papajani<\/p>\n","protected":false},"excerpt":{"rendered":"
Nga Rudina Papajani N\u00eb historin\u00eb e kinemas\u00eb shqiptare ka filma q\u00eb mbeten si kujtes\u00eb artistike dhe ka filma q\u00eb shnd\u00ebrrohen n\u00eb pik\u00eb referimi p\u00ebr m\u00ebnyr\u00ebn se si konceptohet arti filmik. “Pharmakon” \u00ebsht\u00eb nj\u00eb prej tyre. N\u00ebn regjin\u00eb dhe skenarin e Joni Shanajt, kjo vep\u00ebr nuk nd\u00ebrtohet mbi formulat e zakonshme t\u00eb kinemas\u00eb komerciale, por mbi […]<\/p>\n","protected":false},"author":5,"featured_media":32661,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[2819],"class_list":["post-32660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","tag-rudina-papajani"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/32660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=32660"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/32660\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/32661"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=32660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=32660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=32660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}