{"id":32411,"date":"2026-01-17T22:04:45","date_gmt":"2026-01-17T21:04:45","guid":{"rendered":"https:\/\/intervista.al\/web\/?p=32411"},"modified":"2026-01-17T22:04:46","modified_gmt":"2026-01-17T21:04:46","slug":"a-ka-vdekur-kultura-e-leximit","status":"publish","type":"post","link":"https:\/\/intervista.al\/web\/2026\/01\/a-ka-vdekur-kultura-e-leximit\/","title":{"rendered":"A ka vdekur kultura e leximit?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Nga:&nbsp;<\/strong><strong>Riley Cooper (<em>Whitman Wire<\/em>, mars 2025)<br>E p\u00ebrktheu: Jola Tasellari<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kudo d\u00ebgjojm\u00eb:&nbsp;<em>Njer\u00ebzit nuk lexojn\u00eb m\u00eb si dikur.<\/em>&nbsp;Edhe pse format tradicionale t\u00eb leximit mund t\u00eb jen\u00eb m\u00eb pak t\u00eb z\u00ebshme, kultura e leximit \u00ebsht\u00eb jo vet\u00ebm e gjall\u00eb, por edhe vitale. Ajo thjesht ka marr\u00eb forma t\u00eb ndryshme nga p\u00ebrfytyrimi klasik i hapjes s\u00eb gazet\u00ebs \u00e7do m\u00ebngjes apo leximit spontan t\u00eb&nbsp;<em>Lart\u00ebsit\u00eb e stuhishme<\/em>. Nj\u00eb v\u00ebzhgim t\u00eb ngjash\u00ebm ka b\u00ebr\u00eb edhe kolegu im Arham Khan p\u00ebr m\u00ebnyr\u00ebn se si t\u00eb rinjt\u00eb i p\u00ebrthithin lajmet, duke theksuar se&nbsp;<em>N\u00ebse pyesni baz\u00ebn ton\u00eb mediatike, arsyeja pse t\u00eb rinjt\u00eb po largohen nga lajmi tradicional \u00ebsht\u00eb sepse qenkan dembel\u00eb, t\u00eb painformuar ose tep\u00ebr t\u00eb fiksuar pas rrjeteve sociale p\u00ebr t\u2019u shqet\u00ebsuar p\u00ebr bot\u00ebn reale. Kjo \u00ebsht\u00eb kryek\u00ebput marr\u00ebzi<\/em>! P\u00ebr mua, e nj\u00ebjta logjik\u00eb vlen edhe p\u00ebr librin. Narrativa se t\u00eb rinjt\u00eb po i largohen let\u00ebrsis\u00eb tradicionale p\u00ebr shkak t\u00eb dembelizmit, munges\u00ebs s\u00eb informacionit apo var\u00ebsis\u00eb nga rrjetet sociale \u00ebsht\u00eb e pav\u00ebrtet\u00eb. Njer\u00ebzit nuk po i kthejn\u00eb shpin\u00ebn leximit; p\u00ebrkundrazi, kultura e leximit po shnd\u00ebrrohet n\u00eb di\u00e7ka t\u00eb bukur dhe t\u00eb shum\u00ebllojshme, e cila&nbsp;<em>gabimisht<\/em>&nbsp;po interpretohet si e vdekur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edhe pse format tradicionale t\u00eb leximit mund t\u00eb mos jen\u00eb m\u00eb aq dominuese, vet\u00eb kultura e leximit ka evoluar ndjesh\u00ebm gjat\u00eb pes\u00eb, dhjet\u00eb apo pes\u00ebmb\u00ebdhjet\u00eb viteve t\u00eb fundit. Larg zhdukjes, leximi \u00ebsht\u00eb p\u00ebrshtatur me m\u00ebnyrat e reja t\u00eb jetes\u00ebs dhe teknologjit\u00eb bashk\u00ebkohore, duke krijuar forma t\u00eb reja angazhimi, si rasti i botimit t\u00eb librit t\u00eb par\u00eb t\u00eb&nbsp;<em>Harry Potter<\/em>&nbsp;n\u00eb vitin 1997, i cili shiti 107 milion\u00eb kopje, duke u renditur pas&nbsp;<em>The Book of Mormon<\/em>&nbsp;(<em>Libri i Mormonit<\/em>) me 192 milion\u00eb kopje t\u00eb shitura. Shp\u00ebrthimi i let\u00ebrsis\u00eb p\u00ebr t\u00eb rinj (<em>young adult<\/em>) luajti nj\u00eb rol themelor n\u00eb form\u00ebsimin e klim\u00ebs bashk\u00ebkohore t\u00eb leximit. Pas&nbsp;<em>Harry Potter<\/em>it erdh\u00ebn vepra si&nbsp;<em>Twilight<\/em>,&nbsp;<em>The Hunger Games<\/em>,&nbsp;<em>Divergent<\/em>&nbsp;dhe&nbsp;<em>The Maze Runner<\/em>, tematika e t\u00eb cilave mb\u00ebrtheu fort Gjenerat\u00ebn Z, Milenial\u00ebt dhe mjaft lexues nga brezat m\u00eb t\u00eb vjet\u00ebr.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mua nuk m\u00eb lejuan ta lexoja&nbsp;<em>The Hunger Games<\/em>&nbsp;deri n\u00eb klas\u00ebn e gjasht\u00eb, pasi prind\u00ebrit e mi e konsideronin t\u00eb tep\u00ebrt p\u00ebr mendjen e nj\u00eb 10-vje\u00e7ari iden\u00eb e disa f\u00ebmij\u00ebve, brenda nj\u00eb zone, duke konkurruar deri n\u00eb vrasje me nj\u00ebri- tjetrin. Kjo p\u00ebr mua ishte shkat\u00ebrruese, ndaj iu drejtova librave t\u00eb tjer\u00eb si&nbsp;<em>Divergent<\/em>,&nbsp;<em>The Maze Runner<\/em>&nbsp;dhe&nbsp;<em>Twilight<\/em>, p\u00ebr t\u00eb qen\u00eb koherent me bashk\u00ebmoshatar\u00ebt e mi dhe p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb loj\u00ebra e debate t\u00eb zjarrta n\u00eb oborrin e shkoll\u00ebs mbi \u201cgrupet\u201d ku p\u00ebrkisnim. Dit\u00ebn e par\u00eb t\u00eb klas\u00ebs s\u00eb gjasht\u00eb, mora nga biblioteka librin e par\u00eb t\u00eb&nbsp;<em>The Hunger Games<\/em>&nbsp;dhe kam ndenjur t\u00ebr\u00eb nat\u00ebn pa gjum\u00eb duke e lexuar t\u00eb gjithin n\u00eb nj\u00eb frym\u00eb. Entuziazmi p\u00ebr leximin q\u00eb m\u00eb ngjalli let\u00ebrsia p\u00ebr t\u00eb rinj ishte aq i fuqish\u00ebm, sa nuk u shua kurr\u00eb plot\u00ebsisht.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shp\u00ebrthimi i let\u00ebrsis\u00eb p\u00ebr t\u00eb rinj n\u00eb fillim t\u00eb viteve 2010 rigjall\u00ebroi kultur\u00ebn e leximit masiv. Serit\u00eb bestseller si ato t\u00eb sip\u00ebrp\u00ebrmendura t\u00ebrhoq\u00ebn audienca t\u00eb m\u00ebdha, duke nd\u00ebrthurur temat distopike me p\u00ebrjetimet, d\u00ebshirat dhe ankthin adoleshent. K\u00ebta libra dominuan listat e shitjeve dhe frym\u00ebzuan edhe plot adaptime kinematografike t\u00eb suksesshme, duke kultivuar nj\u00eb brez lexuesish t\u00eb uritur p\u00ebr m\u00eb shum\u00eb. Ndon\u00ebse kulmi i let\u00ebrsis\u00eb p\u00ebr t\u00eb rinj mund t\u00eb ket\u00eb kaluar, ndikimi i saj ndihet ende. K\u00ebta libra i fut\u00ebn shum\u00eb lexues n\u00eb nj\u00eb&nbsp;<em>rr\u00ebfim serial<\/em>&nbsp;dhe i \u00e7el\u00ebn rrug\u00ebn zhanreve t\u00eb tjera letrare. Shum\u00eb prej atyre q\u00eb u rrit\u00ebn me k\u00ebt\u00eb let\u00ebrsi kan\u00eb kaluar sot te let\u00ebrsia bashk\u00ebkohore, fantazia, romanca apo klasik\u00ebt letrar\u00eb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Suksesi i let\u00ebrsis\u00eb p\u00ebr t\u00eb rinj tregoi gjithashtu se sa thell\u00eb rezonojn\u00eb me lexuesin temat e identitetit, rebelimit dhe marr\u00ebdh\u00ebnieve njer\u00ebzore. Motivet e fuqizimit dhe q\u00ebndrueshm\u00ebris\u00eb emocionale u b\u00ebn\u00eb ura lidh\u00ebse me lexuesit n\u00eb mbar\u00eb bot\u00ebn. Autor\u00eb si Angie Thomas, me&nbsp;<em>The Hate U Give<\/em>, apo Elizabeth Acevedo, autorja e&nbsp;<em>The Poet X<\/em>, nd\u00ebrthur\u00ebn trajtimin e tematikave sociale me narrativ\u00ebn t\u00ebrheq\u00ebse, duke d\u00ebshmuar se let\u00ebrsia p\u00ebr t\u00eb rinj mund t\u2019i ofroj\u00eb nj\u00ebkoh\u00ebsisht dhe arratisjen nga realiteti, dhe debatin kuptimplot\u00eb. Audio-librat po ashtu kan\u00eb transformuar ndjesh\u00ebm m\u00ebnyr\u00ebn se si konsumohet let\u00ebrsia. Dikur t\u00eb konsideruar si nj\u00eb medium \u201c<em>periferik<\/em>\u201d, sot ata jan\u00eb jasht\u00eb mase t\u00eb p\u00ebrhapur, dhe jo kot, por me arsye.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Platforma si&nbsp;<em>Audible<\/em>&nbsp;dhe&nbsp;<em>Spotify<\/em>&nbsp;kan\u00eb p\u00ebrfituar nga ky trend. Udh\u00ebtar\u00eb, sportist\u00eb, kuzhinier\u00eb, prind\u00ebr t\u00eb ngarkuar, praktikisht kushdo, mund t\u2019i drejtohet&nbsp;<em>audio-librit<\/em>&nbsp;p\u00ebr t\u00eb shijuar nj\u00eb tregim pa pasur nevoj\u00eb p\u00ebr koh\u00eb t\u00eb dedikuar leximi. Kritik\u00ebt debatojn\u00eb mbi faktin se d\u00ebgjimi i librave nuk \u201cllogaritet\u201d si lexim. Megjithat\u00eb, studimet tregojn\u00eb se audio-librat angazhojn\u00eb trurin n\u00eb m\u00ebnyra t\u00eb ngjashme me leximin tradicional, madje edhe m\u00eb efektivisht p\u00ebr grupe t\u00eb caktuara, si personat me disleksi, ata q\u00eb lexojn\u00eb n\u00eb nj\u00eb gjuh\u00eb q\u00eb nuk e kan\u00eb amtare. P\u00ebr shum\u00ebk\u00ebnd, audio-librat kan\u00eb ringjallur k\u00ebnaq\u00ebsin\u00eb e rr\u00ebfimit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Industria e audio-librit ka nxitur edhe inovacion n\u00eb performanc\u00eb. Narrator\u00eb t\u00eb talentuar si Bahni Turpin dhe Jim Dale i kan\u00eb dh\u00ebn\u00eb jet\u00eb personazheve p\u00ebrmes interpretimit vokal dinamik, duke krijuar p\u00ebrvoja t\u00eb jasht\u00ebzakonshme. Efektet zanore, muzika dhe interpretimet me shum\u00eb z\u00ebra e kan\u00eb pasuruar m\u00eb tej k\u00ebt\u00eb form\u00eb leximi. Pastaj, ca njer\u00ebz thjesht preferojn\u00eb audio-librat. S\u00eb fundmi d\u00ebgjova librin&nbsp;<em>Big Swiss<\/em>, t\u00eb cilin e shijova shum\u00eb m\u00eb tep\u00ebr sesa do ta kisha lexuar n\u00eb tekst, fal\u00eb theksit zviceran t\u00eb personazhit kryesor, qenit dhe efekteve zanore q\u00eb shoq\u00ebronin veprimet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edhe industria e librave komik\u00eb vijon t\u00eb rritet. Sipas&nbsp;<em>Business Insider<\/em>, shitjet e librave komik\u00eb, p\u00ebrfshir\u00eb romanet grafike, numrat individual\u00eb dhe komiket digjitale, arrit\u00ebn n\u00eb 2.075 miliard\u00eb dollar\u00eb n\u00eb vitin 2021, nj\u00eb rritje prej 62 p\u00ebrqind krahasuar me vitin paraardh\u00ebs dhe 70 p\u00ebrqind krahasuar me 2019-\u00ebn. John Jackson Miller, themelues i&nbsp;<em>Comichron<\/em>, theksoi se botuesit fituan m\u00eb shum\u00eb nga p\u00ebrmbajtja e komikut sesa n\u00eb \u00e7do vit tjet\u00ebr. Komunitetet e&nbsp;<em>fan fiction<\/em>-it ilustrojn\u00eb gjithashtu evolucionin e peizazhit t\u00eb leximit. Platforma si&nbsp;<em>Archive of Our Own<\/em>&nbsp;(AO3) dhe&nbsp;<em>FanFiction.net&nbsp;<\/em>u kan\u00eb dh\u00ebn\u00eb fansave mund\u00ebsin\u00eb t\u00eb zgjerojn\u00eb universet letrare t\u00eb dashura, duke krijuar p\u00ebrmbajtje dinamike q\u00eb mban lexuesit t\u00eb angazhuar. P\u00ebr shum\u00ebk\u00ebnd,&nbsp;<em>fan fiction<\/em>-i sh\u00ebrben si hyrje n\u00eb bot\u00ebn e rr\u00ebfimit dhe si nxitje p\u00ebr kreativitet e debat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00eb kund\u00ebrshtim me parashikimet se librarit\u00eb do t\u00eb zhdukeshin n\u00eb epok\u00ebn digjitale, librarit\u00eb duket sikur kan\u00eb rilindur. Ekspozime t\u00eb kuruara, ambiente intime dhe aktivitete komunitare i kan\u00eb shnd\u00ebrruar librarit\u00eb n\u00eb qendra kulturore. Rrjetet sociale si&nbsp;<em>TikTok<\/em>&nbsp;(ve\u00e7an\u00ebrisht prej&nbsp;<em>#BookTok<\/em>) kan\u00eb ndikuar ndjesh\u00ebm n\u00eb rritjen e shitjeve, duke kthyer tituj t\u00eb panjohur n\u00eb fenomene virale. Lexuesit sot kan\u00eb po aq gjasa ta zbulojn\u00eb librin e radh\u00ebs p\u00ebrmes nj\u00eb rekomandimi n\u00eb&nbsp;<em>TikTok<\/em>&nbsp;sa nga nj\u00eb kritik letrar; nj\u00eb demokratizim i kultur\u00ebs s\u00eb librit q\u00eb vler\u00ebson lidhjen emocionale mbi elitizmin intelektual. Librarit\u00eb jan\u00eb p\u00ebrshtatur me k\u00ebto preferenca, duke ofruar hap\u00ebsira p\u00ebr klube leximi, takime me autor\u00eb dhe&nbsp;<em>workshop<\/em>-e. P\u00ebrzgjedhjet e kuruara nga autor\u00eb t\u00eb ndrysh\u00ebm kan\u00eb zgjeruar p\u00ebrfaq\u00ebsimin n\u00eb let\u00ebrsi, duke reflektuar m\u00eb mir\u00eb identitetet dhe p\u00ebrvojat e lexuesve. Librarit\u00eb po shnd\u00ebrrohen n\u00eb \u201c<em>hap\u00ebsira t\u00eb treta<\/em>\u201d. Si\u00e7 shprehet Courtney Stookey, pronare e Lovebound Library n\u00eb Salt Lake City:&nbsp;<em>Doja q\u00eb t\u00eb ishte nj\u00eb hap\u00ebsir\u00eb e sigurt ku \u00e7dokush, pavar\u00ebsisht n\u00ebse lexon 300 libra n\u00eb vit apo nuk ka prekur kurr\u00eb nj\u00eb roman, t\u00eb ndihet i mir\u00ebpritur.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ky transformim pasqyron nj\u00eb prirje m\u00eb t\u00eb gjer\u00eb: Leximtar\u00ebt po i p\u00ebrqafojn\u00eb librat gjithnj\u00eb e m\u00eb shum\u00eb si arg\u00ebtim, jo vet\u00ebm si p\u00ebrfitim intelektual. Let\u00ebrsia e njohur nuk ka m\u00eb nevoj\u00eb t\u00eb mbroj\u00eb veten ndaj pretendimeve se vlen m\u00eb pak; lexuesit jan\u00eb t\u00eb lir\u00eb t\u00eb shijojn\u00eb at\u00eb let\u00ebrsi q\u00eb u flet m\u00eb fort.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nga ana tjet\u00ebr, let\u00ebrsia eskapiste po popullarizohet vitet e fundit. N\u00eb nj\u00eb koh\u00eb trazirash sociale dhe politike, lexuesit i jan\u00eb kthyer romancave, fantazive dhe mistereve, p\u00ebr t\u00eb gjetur aty prehje. K\u00ebto zhanre ofrojn\u00eb zgjidhje t\u00eb k\u00ebnaqshme dhe tema frym\u00ebzuese, si nj\u00eb streh\u00eb n\u00eb koh\u00eb t\u00eb pasigurta. Leximi \u00ebsht\u00eb b\u00ebr\u00eb \u201c<em>chic<\/em>\u201d. Estetika e&nbsp;<em>Instagram<\/em>-it me rafte librash t\u00eb kuruara, romane t\u00eb sh\u00ebnjuara dhe k\u00ebnde leximi t\u00eb rehatshme, e ka kthyer kultur\u00ebn e librit n\u00eb nj\u00eb trend vizual. Lexuesit ndajn\u00eb me krenari blerjet e tyre, objektivat e leximit dhe p\u00ebrshtypjet onlajn, duke nd\u00ebrthurur rrjetet sociale me p\u00ebrfshirjen tradicionale letrare. Aty ku leximi dikur shihej si veprimtari vetjake, sot ai \u00ebsht\u00eb thell\u00ebsisht social. Klubet e leximit, sfidat onlajn dhe rrjetet sociale nxisin lexuesit t\u00eb ndajn\u00eb p\u00ebrvojat dhe mendimet. P\u00ebr dekada, leximi mbarti nj\u00eb ngjyrim elitist: \u201cLexuesit serioz\u00eb\u201d pritej t\u00eb merreshin me klasik\u00eb, filozofi apo let\u00ebrsi t\u00eb \u201cfort\u00eb\u201d. Ky q\u00ebndrim p\u00ebrjashtoi shum\u00eb lexues potencial\u00eb. Sot, kjo mend\u00ebsi po zbehet. Pranimi i leximit si form\u00eb arg\u00ebtimi ka krijuar nj\u00eb hap\u00ebsir\u00eb m\u00eb gjith\u00ebp\u00ebrfshir\u00ebse, ku zhanret dhe romanet grafike vler\u00ebsohen nj\u00ebsoj.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lexuesit nuk ndihen m\u00eb t\u00eb detyruar t\u00eb lexojn\u00eb t\u00ebr\u00eb vepr\u00ebn e nj\u00eb autori apo t\u00eb q\u00ebndrojn\u00eb te titujt e kanonit letrar. Eksplorimi i zhanreve t\u00eb ndryshme, interesave dhe k\u00ebnaq\u00ebsive e ka b\u00ebr\u00eb leximin m\u00eb t\u00eb preksh\u00ebm dhe m\u00eb t\u00eb g\u00ebzuesh\u00ebm. Edhe institucionet e arsimit po i p\u00ebrshtaten k\u00ebtyre ndryshimeve kulturore. Shkollat po p\u00ebrfshijn\u00eb gjithnj\u00eb e m\u00eb shum\u00eb zhanre t\u00eb ndryshme, romane grafike dhe let\u00ebrsi bashk\u00ebkohore n\u00eb kurrikula, p\u00ebr t\u00eb angazhuar lexuesit q\u00eb hezitojn\u00eb. Duke legjitimuar let\u00ebrsin\u00eb \u201cn\u00eb mod\u00eb\u201d si let\u00ebrsi t\u00eb vlefshme, ata po nxisin p\u00ebrvoja pozitive leximi q\u00eb krijojn\u00eb marr\u00ebdh\u00ebnie afatgjata me let\u00ebrsin\u00eb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N\u00eb k\u00ebt\u00eb peizazh dinamik, nj\u00eb gj\u00eb mbetet e paprekur: d\u00ebshira njer\u00ebzore p\u00ebr t\u2019u lidhur p\u00ebrmes rr\u00ebfimit. Qoft\u00eb i dh\u00ebn\u00eb pas nj\u00eb romani, duke d\u00ebgjuar nj\u00eb audio-lib\u00ebr apo duke shfletuar nj\u00eb&nbsp;<em>Webtoon<\/em>, lexuesi vijon t\u00eb k\u00ebrkoj\u00eb narrativa q\u00eb e frym\u00ebzojn\u00eb, ngush\u00ebllojn\u00eb dhe sfidojn\u00eb. Kultura e leximit nuk po zhduket. Ajo po lul\u00ebzon n\u00eb forma t\u00eb reja dhe t\u00eb papritura. \/Gazeta \u201cExLibris\u201d\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nga:&nbsp;Riley Cooper (Whitman Wire, mars 2025)E p\u00ebrktheu: Jola Tasellari Kudo d\u00ebgjojm\u00eb:&nbsp;Njer\u00ebzit nuk lexojn\u00eb m\u00eb si dikur.&nbsp;Edhe pse format tradicionale t\u00eb leximit mund t\u00eb jen\u00eb m\u00eb pak t\u00eb z\u00ebshme, kultura e leximit \u00ebsht\u00eb jo vet\u00ebm e gjall\u00eb, por edhe vitale. Ajo thjesht ka marr\u00eb forma t\u00eb ndryshme nga p\u00ebrfytyrimi klasik i hapjes s\u00eb gazet\u00ebs \u00e7do m\u00ebngjes [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":32412,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[4097,4095,4096],"class_list":["post-32411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","tag-kultura-e-leximit","tag-leximi","tag-te-lexuarit"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/32411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=32411"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/32411\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/32412"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=32411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=32411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=32411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}