{"id":31715,"date":"2024-12-09T12:26:19","date_gmt":"2024-12-09T11:26:19","guid":{"rendered":"https:\/\/intervista.al\/web\/?p=31715"},"modified":"2024-12-09T12:40:09","modified_gmt":"2024-12-09T11:40:09","slug":"monografia-e-pare-shkencore-kushtuar-artistit-edi-rama-autor-ph-d-oltsen-gripshi","status":"publish","type":"post","link":"https:\/\/intervista.al\/web\/2024\/12\/monografia-e-pare-shkencore-kushtuar-artistit-edi-rama-autor-ph-d-oltsen-gripshi\/","title":{"rendered":"MONOGRAFIA E PAR\u00cb SHKENCORE KUSHTUAR ARTISTIT EDI RAMA! AUTOR\u00a0Ph.D. Oltsen Gripshi\u00a0"},"content":{"rendered":"\n
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Fabjola Kuburi: Monografia shkencore \u201cEdi Rama: Neuroestetika e nj\u00eb artisti\u201d, e sapo botuar gjendej edhe n\u00eb stendat e Panairit t\u00eb XXVII-t\u00eb t\u00eb Librit: \u201cTirana 2024\u201d, \u00e7far\u00eb ju shtyu p\u00ebr t\u00eb shkruar k\u00ebt\u00eb monografi?<\/strong><\/p>\n\n\n\n

Ph.D. Oltsen Gripshi:<\/strong> E v\u00ebrtet\u00eb, monografia shkencore \u201cEdi Rama: Neuroestetika e nj\u00eb artisti\u201d botuar nga Sht\u00ebpia Botuese \u201cOnufri\u201d, \u00ebsht\u00eb tashm\u00eb n\u00eb duart e lexuesve shqiptar\u00eb e jo vet\u00ebm, pasi ajo \u00ebsht\u00eb shkruar n\u00eb dy gjuh\u00eb: shqip dhe anglisht, si nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb rrokur e dep\u00ebrtuar edhe tek lexuesi nd\u00ebrkomb\u00ebtar. Pik\u00ebtakimi im i par\u00eb me emrin e artistit Edi Rama ka ndodhur n\u00eb vitin 2002, gjat\u00eb l\u00ebnd\u00ebs s\u00eb teoris\u00eb s\u00eb ngjyrave kur asokohe studioja p\u00ebr piktur\u00eb n\u00eb Akademin\u00eb e Arteve t\u00eb Bukura \u201cG.B. Cignaroli\u201d t\u00eb Veron\u00ebs. N\u00eb leksionin e tij, Prof. Massimo Caiazzo, rreth dhe mbi teorin\u00eb e ngjyrave, nisi t\u00eb shpjegonte se si nj\u00eb artist me emrin Edi Rama,kishte shnd\u00ebrruar pamjen e fasadave t\u00eb pallateve t\u00eb qytetit t\u00eb tij n\u00ebp\u00ebrmjet prekjes pikturike dhe befas, m\u00eb drejtohet duke m\u00eb th\u00ebn\u00eb: \u201c Ky artist \u00ebsht\u00eb nga vendi nga i cili vjen edhe ti.\u201d Menj\u00ebher\u00eb pas mbarimit t\u00eb leksionit, futem n\u00eb k\u00ebrkim t\u00eb artistit  p\u00ebr t\u00eb cilin sapo Prof. Caiazzo na kishte folur. Kjo do t\u00eb ishte \u201cnjohja e par\u00eb\u201d virtuale me artin e artistit Rama. Nj\u00eb njohje, e cila hapi nj\u00eb dritar\u00ebz p\u00ebr t\u00eb njohur m\u00eb mir\u00eb vepr\u00ebn e tij dhe vler\u00ebsuar m\u00eb shum\u00eb artin pamor shqiptar, q\u00eb fal\u00eb piktur\u00ebs s\u00eb Ram\u00ebs, kishte arritur t\u00eb studiohej edhe n\u00eb auditoret e akademive t\u00eb arteve t\u00eb bukura n\u00eb Itali. N\u00eb k\u00ebt\u00eb fush\u00ebpamje para kat\u00ebr vitesh, fal\u00eb edhe pjekuris\u00eb profesionale n\u00eb l\u00ebmin e historis\u00eb dhe kritik\u00ebs s\u00eb artit, nisa t\u00eb shkruaj radh\u00ebt e para p\u00ebr analizimin e krijimtaris\u00eb s\u00eb tij t\u00eb nd\u00ebrthurur midis piktur\u00ebs dhe qeramik\u00ebs. Radh\u00eb t\u00eb cilat fal\u00eb pun\u00ebs s\u00eb gjithanshme k\u00ebrkimore, do t\u00eb form\u00ebsonin k\u00ebt\u00eb monografi shkencore q\u00eb kodifikon, jo vet\u00ebm estetik\u00ebn pasbashk\u00ebkohore me t\u00eb cil\u00ebn artisti ngjiz dhe konkretizon n\u00ebnvet\u00ebdijen brenda vetes n\u00eb imazhe t\u00eb preceptueshme nga t\u00eb gjith\u00eb, por edhe e vendos vepr\u00ebn e tij. Vep\u00ebr e cila \u00ebsht\u00eb pjes\u00eb e nj\u00eb kontributi t\u00eb pamohuesh\u00ebm, dhe t\u00eb pashmangsh\u00ebm p\u00ebr historiografin\u00eb e artit pamor bashk\u00ebkohor shqiptar.  <\/p>\n\n\n\n

– Sa koh\u00eb ju \u00ebsht\u00eb dashur t\u2019i kushtoni p\u00ebr ta shkruar k\u00ebt\u00eb studim shkencor?<\/strong><\/p>\n\n\n\n

–Ph.D. Oltsen Gripshi: <\/strong>Koha p\u00ebr t\u00eb shkruar nj\u00eb monografi shkencore, e ve\u00e7an\u00ebrisht k\u00ebsaj kushtuar Edi Ram\u00ebs, k\u00ebrkon s\u00eb pari nj\u00eb pjekuri profesionale dhe nj\u00eb mir\u00ebzot\u00ebrim t\u00eb historis\u00eb dhe kritik\u00ebs s\u00eb artit, e p\u00ebr rrjedhoj\u00eb,  nj\u00eb pun\u00eb k\u00ebrkimore e hulumtuese specifike, p\u00ebr ta lexuar e analizuar vepr\u00ebn me shum\u00eb kujdes n\u00eb aspektin e t\u00eb res\u00eb stilistike dhe qasjes p\u00ebrmbajt\u00ebsore. Gjat\u00eb hulumtimit jam gjetur p\u00ebrball\u00eb disa pyetjeve her\u00eb retorike e her\u00eb empirike si: \u00c7far\u00eb t\u00eb reje sjellin k\u00ebto imazhe? Cili \u00ebsht\u00eb regjistri semiotik q\u00eb artisti k\u00ebrkon t\u00eb komunikoj\u00eb, midis dy p\u00ebrmasave, brenda vetes dhe bot\u00ebn jasht\u00eb qenies s\u00eb tij? A ka analogji krahasimore abstraksionizmi i tij lirik, apo \u00ebsht\u00eb nj\u00eb t\u00ebr\u00ebsi embrionale vet\u00ebm e artistit Rama? Pyetje t\u00eb cilat t\u00eb udh\u00ebheqin detyrimisht, p\u00ebr ta vendosur vepr\u00ebn e tij p\u00ebrball\u00eb s\u00eb p\u00ebrgjithshmes gjith\u00ebp\u00ebrfshir\u00ebse q\u00eb shkon p\u00ebrtej kontekstit territorial, social-kulturor dhe antropologjik t\u00eb Shqip\u00ebris\u00eb. Kjo, pasi fuqia e artit t\u00eb tij, flet me nj\u00eb gjuh\u00eb q\u00eb ngjizet nga realiteti shqiptar, por hapet duke tejkaluar kufijt\u00eb e nj\u00eb territori konvencional p\u00ebr t\u00eb mb\u00ebrritur universalen e fenomenologjis\u00eb pasbashk\u00ebkohore q\u00eb \u00ebsht\u00eb b\u00ebrthama fuqiplot\u00eb e nj\u00eb universi t\u00eb pashtersh\u00ebm n\u00eb zbulimin dhe shp\u00ebrfaqjen e stin\u00ebve t\u00eb n\u00ebnvet\u00ebdijes brenda vet\u00eb artistit. Kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb revolucion stilistik, q\u00eb ngre si \u00e7\u00ebshtje t\u00eb qen\u00ebsishme lirin\u00eb interpretuese t\u00eb artistit. Jemi p\u00ebrball\u00eb nj\u00eb teorie t\u00eb re artistike ku t\u00ebr\u00ebsia e nd\u00ebrlikuar e qenies njer\u00ebzore, mbizot\u00ebron dhe b\u00ebhet udh\u00ebrr\u00ebfyese e qenies artist, duke marr\u00eb nj\u00eb p\u00ebrpar\u00ebsi absolute n\u00eb krijimtarin\u00eb artistike t\u00eb artistit Edi Rama. Ndaj koha ka qen\u00eb nj\u00eb vler\u00eb relative, ku pesha e saj ka qen\u00eb fluruese, ndon\u00ebse jan\u00eb dashur kat\u00ebr vite p\u00ebr t\u00eb mb\u00ebrritur n\u00eb k\u00ebt\u00eb monografi shkencore q\u00eb mbajm\u00eb sot nd\u00ebr duar.<\/p>\n\n\n\n

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– Kryeministri Rama a \u00ebsht\u00eb njohur me k\u00ebt\u00eb monografi shkencore tuaj\u00ebn kushtuar t\u00ebr\u00ebsisht krijimtaris\u00eb s\u00eb tij artistike? <\/strong><\/p>\n\n\n\n

– Ph.D. Oltsen Gripshi: Monografia hapet me nj\u00eb shprehje timen, e cila p\u00ebrb\u00ebn thelbin e t\u00ebr\u00ebsis\u00eb s\u00eb saj q\u00eb \u00ebsht\u00eb: \u201cPiktura e Edi Ram\u00ebs mish\u00ebron materien ekzistencialiste si pararend\u00ebse t\u00eb imagjinat\u00ebs s\u00eb p\u00ebrb\u00ebr\u00eb nga koh\u00eb-hap\u00ebsira, pasi ky hulumtim shkencor nuk i p\u00ebrket piktorit, por piktur\u00ebs s\u00eb tij, sepse Ai \u00ebsht\u00eb vet\u00eb ky lib\u00ebr…\u201d.<\/em> Nj\u00eb shprehje kuptimplot\u00eb, pasi kjo monografi nuk i kushtohet nj\u00eb kryeministri, por nj\u00eb ARTISTI. <\/p>\n\n\n\n

 – \u00c7far\u00eb keni pasur parasysh n\u00eb pun\u00ebn tuaj studimore?<\/strong><\/p>\n\n\n\n

 – Ph.D. Oltsen Gripshi: E theksova edhe m\u00eb sip\u00ebr, njohja me artistin Edi Rama, ka ndodhur vite m\u00eb par\u00eb kur isha student n\u00eb akademin\u00eb e Veron\u00ebs,  si subjekt studimor n\u00eb l\u00ebnd\u00ebn e kromatologjis\u00eb dhe nuk mund t\u00eb ndodhte ndryshe\u2026E gjith\u00eb puna ime k\u00ebrkimore shum\u00eb vite m\u00eb von\u00eb do t\u00eb p\u00ebrqendrohej e do t\u00eb nxitej nga tingujt e ngjyrave q\u00eb artisti p\u00ebrdor p\u00ebr t\u00eb konkretizuar t\u00eb padukshmen brenda n\u00ebnvet\u00ebdijes s\u00eb tij. Nj\u00eb k\u00ebndv\u00ebshtrim ky q\u00eb ka udh\u00ebhequr qasjen time p\u00ebr hulumtimin dhe shp\u00ebrfaqjen e nj\u00eb estetike t\u00eb re stilistike q\u00eb vepra e tij na d\u00ebshmon, e cila t\u00eb shpie m\u00eb pas n\u00eb nj\u00eb qasje t\u00eb re perceptuese-konceptuale. Qasje q\u00eb kthehet n\u00eb nj\u00eb b\u00ebrtham\u00eb l\u00ebviz\u00ebse n\u00eb gjetjen e p\u00ebrgjigjeve, t\u00eb cilat nj\u00ebkoh\u00ebsisht legjitimojn\u00eb edhe nj\u00eb p\u00ebrkufizim t\u00eb ri, q\u00eb n\u00eb krijimtarin\u00eb e Ram\u00ebs, \u00ebsht\u00eb psikologjia. Duke e par\u00eb n\u00eb k\u00ebt\u00eb k\u00ebndv\u00ebshtrim, n\u00eb shkruarjen e k\u00ebsaj monografie kam patur parasysh, jo vet\u00ebm analizimin stilistik dhe kodifikimin e vepr\u00ebs si pjes\u00eb e historiografis\u00eb s\u00eb artit pamor shqiptar, por mbi t\u00eb gjitha, vendosjen e lexuesit p\u00ebr ta lexuar e zb\u00ebrthyer krijimtarin\u00eb artistike t\u00eb Ram\u00ebs n\u00eb aspektin teorik, p\u00ebrball\u00eb nj\u00eb fenomenologjie pasbashk\u00ebkohore t\u00eb interpretimit t\u00eb realitetit p\u00ebrmes ndjesive psikologjike. P\u00ebrball\u00eb nj\u00eb psikologjie, e cila nd\u00ebrton nj\u00eb marr\u00ebdh\u00ebnie t\u00eb ngusht\u00eb mes shpirtit dhe materies, duke identifikuar nj\u00eb ekuacion estetik-konceptual t\u00eb till\u00eb q\u00eb n\u00eb p\u00ebrmbajtjen e vet modelohet dhe form\u00ebsohet me stimulin fizik dhe ndjesin\u00eb psikologjike t\u00eb artistit krijues.<\/p>\n\n\n\n

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