-Mimoza, \u00e7far\u00eb t\u00eb t\u00ebrhoqi fillimisht p\u00ebr t\u00eb ndjekur nj\u00eb karrier\u00eb n\u00eb aktrim dhe si u p\u00ebrfshive n\u00eb sken\u00ebn e teatrit shqiptar?<\/strong><\/p>\n\n\n\n -Kur isha e vog\u00ebl m\u00eb p\u00eblqente t\u00eb eksperimentoja. Sht\u00ebpia e pionierit, sot ‘ Q.K.F” ka qen\u00eb shum\u00eb funksionale. Ndiqja rrethin e recitimit, ndiqja rrethin e k\u00ebng\u00ebs,m\u00eb pas provova edhe rrethin e q\u00ebndisjes. Me sa duket subkoshienca ime m\u00eb p\u00ebrgatiste mua drejt nj\u00eb edukimi artistik. Fillova t\u00eb aktivizohem n\u00eb teatrin \u201cBylis\u201d q\u00eb e vog\u00ebl deri sa u maturova dhe konkurova n\u00eb deg\u00ebn e Aktrimit. U em\u00ebrova si aktore profesioniste n\u00eb Teatrin \u201cAleksand\u00ebr Moisiu\u201d dhe nuk u ndava asnj\u00eb dit\u00eb nga skena e k\u00ebtij teatri t\u00eb cilin e dua si\u00e7 dua dhe jet\u00ebn. <\/p>\n\n\n\n -A mund t\u00eb ndash me ne nj\u00eb p\u00ebrvoj\u00eb t\u00eb paharrueshme nga nj\u00eb prej shfaqjeve ku ke qen\u00eb pjes\u00eb e cila ka pasur nj\u00eb ndikim t\u00eb r\u00ebnd\u00ebsish\u00ebm tek ty si artiste?<\/strong><\/p>\n\n\n\n -P\u00ebr \u00e7do aktor, besoj se \u00ebsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme eksperienca e par\u00eb. Ishte shum\u00eb e bukur t\u00eb isha n\u00eb nj\u00eb sken\u00eb me Yllka Mujon, Guljelm Radoja dhe aktor\u00ebt e tjer\u00eb t\u00eb trup\u00ebs s\u00eb Durr\u00ebsit. Ishte nj\u00eb dram\u00eb e shkruar nga Roberto Bracco e titulluar ” T\u00eb jesh n\u00ebn\u00eb” me regji t\u00eb Driada Dervishit. At\u00ebher\u00eb kuptova q\u00eb un\u00eb tashm\u00eb isha kolege e aktorev\u00eb m\u00eb t\u00eb mir\u00eb shqiptar\u00eb. <\/p>\n\n\n\n -Si nj\u00eb aktore e njohur e sken\u00ebs shqiptare, njohur p\u00ebr talentin dhe aft\u00ebsit\u00eb n\u00eb sken\u00eb, si i qasesh p\u00ebrgatitjes p\u00ebr nj\u00eb rol t\u00eb ri n\u00eb nj\u00eb shfaqje teatrale apo artistike le t\u00eb themi?<\/strong><\/p>\n\n\n\n -Nj\u00eb shfaqje artistike zakonisht zgjat nj\u00eb periudhe kohore prej nj\u00eb muaji e gjys\u00ebm n\u00eb m\u00ebnyr\u00eb intensive dhe vemendja ,gjith\u00eb qenia \u00ebsht\u00eb e fokusuar vet\u00ebm te roli dhe shpesh e kap veten n\u00eb rrug\u00eb duke th\u00ebn\u00eb me vete tekstin n\u00eb m\u00ebnyr\u00eb t\u00eb pavullnetshme . “E folura me veten\u201d p\u00ebrfundon vet\u00ebm kur p\u00ebrfundon shfaqja.<\/p>\n\n\n\n -\u00c7far\u00eb t\u00eb duket m\u00eb sfiduese dhe shp\u00ebrblyese p\u00ebr portretizimin e personazheve komplekse dhe rebele n\u00eb sken\u00eb?<\/strong><\/p>\n\n\n\n -Kjo pyetje e ka vet\u00eb p\u00ebrgjigjen brenda. \u00c7do personazh i sjell\u00eb n\u00eb jet\u00eb,qoft\u00eb i r\u00ebnd\u00ebsish\u00ebm ose jo, protagonist ose jo protagonist, shp\u00ebrblimin e merr nga publiku. Ai \u00ebsht\u00eb gjykat\u00ebsi! Ai e jep verdiktin!<\/p>\n\n\n\n -A mund t\u00eb na flas\u00ebsh p\u00ebr nj\u00eb shfaqje apo rol t\u00eb ve\u00e7ant\u00eb q\u00eb ka v\u00ebn\u00eb vul\u00ebn n\u00eb karrier\u00ebn t\u00ebnde? <\/strong><\/p>\n\n\n\n – N\u00eb momentin q\u00eb t\u00eb duhet t\u00eb p\u00ebrzgjedh\u00ebsh se cili rol \u00ebsht\u00eb m\u00eb i ve\u00e7anti, \u00ebsht\u00eb v\u00ebrtet\u00eb shum\u00eb e v\u00ebshtir\u00eb sepse t\u00eb gjitha rolet kan\u00eb t\u00eb nj\u00ebjtin grup gjaku me mua. Po ve\u00e7oj, jo nj\u00eb rol t\u00eb ve\u00e7ant\u00eb, por nj\u00eb eksperienc\u00eb t\u00eb ve\u00e7ant\u00eb. Ishte drama <\/p>\n\n\n\n “Kush e solli Doruntin\u00ebn” me regji te Laerti Vasilit,shfaqje q\u00eb b\u00ebri bashk\u00eb kollos\u00ebt e teatrit e te filmit shqiptar, Margarita Xhepa, Viktor Zhusti dhe i paharruari Bujar Lako.<\/p>\n\n\n\n -Si e sheh gjendjen aktuale t\u00eb sken\u00ebs teatrore shqiptare dhe \u00e7far\u00eb ndryshimesh apo p\u00ebrmir\u00ebsimesh do t\u00eb d\u00ebshiroje t\u00eb shihje n\u00eb k\u00ebt\u00eb fush\u00eb artistike?<\/strong><\/p>\n\n\n\n -Teatri ndoshta nuk \u00ebsht\u00eb n\u00eb dit\u00ebt e tij m\u00eb t\u00eb mira. Ka trupa n\u00eb rrethe q\u00eb nuk ekzistojn\u00eb fare ose kan\u00eb nj\u00eb ose dy aktore. P\u00ebrve\u00e7 Tiran\u00ebs funksionon n\u00eb m\u00ebnyr\u00eb gati-gati sfiduese teatri i Durr\u00ebsit, Kor\u00e7\u00ebs dhe Shkodr\u00ebs. Mendoj se duhet investuar m\u00eb shum\u00eb p\u00ebr teatrin dhe p\u00ebr ne teatrot e rretheve duhet t\u00eb llogaritet nj\u00eb buxhet m\u00eb i madh n\u00eb m\u00ebnyr\u00eb t\u00eb till\u00eb q\u00eb edhe shfaqjet t\u00eb jen\u00eb m\u00eb produktive dhe t\u00eb b\u00ebhet i mundur bashk\u00ebpunimi edhe me regjisore t\u00eb huaj e vendas.<\/p>\n\n\n\n -N\u00eb \u00e7far\u00eb m\u00ebnyrash i p\u00ebrfshin p\u00ebrvojat dhe emocionet tuaja personale n\u00eb shfaqje dhe si lidhesh me personazhet e tua n\u00eb nj\u00eb nivel m\u00eb t\u00eb thell\u00eb gjat\u00eb nj\u00eb interpretimi?<\/strong><\/p>\n\n\n\n -N\u00eb pothuajse gjith\u00eb rolet shfryt\u00ebzoj eksperiencat e mia jet\u00ebsore. Dua t\u00eb ve\u00e7oj personazhin e Klitemnestr\u00ebs n\u00eb tragjedin\u00eb “Elektra” t\u00eb Sofokliut, personazhin e n\u00ebn\u00ebs n\u00eb dram\u00ebn ” Te korrat e gjelb\u00ebrta” t\u00eb Bruno Shllakut dhe rolin e n\u00ebn\u00ebs n\u00eb filmin “Guxim” ‘ t\u00eb Drilon Hoxh\u00ebs, role tejet dramatike dhe aty kam shfryt\u00ebzuar instiktet e mia si n\u00ebn\u00eb dhe ja kam dal\u00eb m\u00eb s\u00eb miri.<\/p>\n\n\n\n -Me p\u00ebrvoj\u00ebn t\u00ebnde, \u00e7far\u00eb k\u00ebshille do t’u jepje aktor\u00ebve t\u00eb rinj aspirant\u00eb q\u00eb k\u00ebrkojn\u00eb t\u00eb b\u00ebjn\u00eb em\u00ebr n\u00eb bot\u00ebn e artit, e konkretisht n\u00eb aktrim?<\/strong><\/p>\n\n\n\n -Pun\u00eb, pun\u00eb, pun\u00eb ,pun\u00eb, pun\u00eb!<\/p>\n","protected":false},"excerpt":{"rendered":" \u201cNj\u00eb yll n\u00eb sken\u00ebn e teatrit shqiptar\u201d vet\u00ebm k\u00ebshtu mund ta p\u00ebrshkruajm\u00eb aktoren e njohur Mimoza Marjanaku, sepse rolet e luajtura prej saj kan\u00eb l\u00ebn\u00eb p\u00ebrshtypje t\u00eb jasht\u00ebzakonshme tek publiku, gati-gati qiellore. Mimoza, ashtu si dhe emri i saj, \u00ebsht\u00eb e veshur me art, art t\u00eb cilin e p\u00ebrcjell tek ne, aty n\u00eb sken\u00eb, aty […]<\/p>\n","protected":false},"author":5,"featured_media":31227,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3854],"tags":[3921],"class_list":["post-31223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-kulture","tag-mimoza-marjanaku"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/31223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=31223"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/31223\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/31227"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=31223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=31223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=31223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/intervista.al\/web\/wp-content\/uploads\/2024\/09\/image4.jpeg\")
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