<\/p>\n\n\n\n
P\u00ebrse shkojm\u00eb n\u00eb teat\u00ebr?
Pyetje q\u00eb kritikja e teatrit francez S.C e drejtoi gjat\u00eb konferenc\u00ebs n\u00eb Sorbon\u00eb.
Anglez\u00ebt si shekspirian t\u00eb devotsh\u00ebm, p\u00ebr t\u00eb b\u00ebr\u00eb humor me spektatorin amerikan, nj\u00eb shekull m\u00eb par\u00eb, tregojn\u00eb:” Na ishte nj\u00eb her\u00eb nj\u00eb mbes\u00eb e cila p\u00ebr ta k\u00ebnaqur gjyshen e saj si dhurat\u00eb p\u00ebr dat\u00eblindjen, e \u00e7on t\u00eb shoh Hamletin. Gjyshja nuk kishte shkuar asnj\u00ebher\u00eb n\u00eb teat\u00ebr. N\u00eb fund mbesa e pyet se si iu duk shfaqja: “Oh Zot i madh!Shum\u00eb e bukur! Gjith\u00eb citime !”
Nga anglo-amerikan\u00ebt kthehemi tek francez\u00ebt t\u00eb cil\u00ebt pas revolucionit ndjekur nga shembulli grek, vendos\u00ebn q\u00eb teatrot t\u00eb cil\u00ebt subvencionoheshin nga shteti, nj\u00eb her\u00eb n\u00eb jav\u00eb duhej t\u00eb jepnin shfaqje falas p\u00ebr popullin, kjo n\u00eb favor t\u00eb edukimit t\u00eb tij.
Teatri thuhet se \u00ebsht\u00eb nj\u0113 nd\u00ebr artet m\u00eb t\u00eb vjetra, sa dhe vet\u00eb Jezu Krishti kur u shfaq pes\u00eb shekuj m\u00eb von\u00eb, e gjeti gati sken\u00ebn.
Hera e fundit q\u00eb kam par\u00eb nj\u00eb pjes\u00eb teatrale n\u00eb Tiran\u00eb, ishte ” P\u00ebrvjetori i dat\u00eblindjes”; nd\u00ebrsa n\u00eb Franc\u00eb, para disa dit\u00ebsh, ” Mbreti Lir” nj\u00eb Shekspir i modernizuar, shfaqur n\u00eb
Komedin\u00eb Franceze dhe direkt n\u00eb 5 kinema n\u00eb gjith\u00eb Franc\u00ebn. Kjo shfaqje u paraqit krejt\u00ebsisht ndryshe nga klasikja q\u00eb un\u00eb njihja, i sjell\u00eb edhe n\u00eb sken\u00ebn shqiptare, disa muaj m\u00eb par\u00eb nga aktori yn\u00eb i mir\u00ebnjohur, mjesht\u00ebr i sken\u00ebs dhe ekranit, Viktor Zhusti i cili me t\u00eb drejt\u00eb p\u00ebr aktrimin e tij u krahasua me interpretues t\u00eb shquar t\u00eb skenave bot\u00ebrore, arsye q\u00eb m\u00eb shtyu t\u00eb ndjek interpretimin e trup\u00ebs n\u00eb Paris.
K\u00ebtu nuk do t\u00eb doja t\u00eb vija n\u00eb nj\u00eb peshore teatrin parizian”dhe at\u00eb shqiptar, por doja t\u00eb kthehesha tek pyetja se p\u00ebrse ( duhet t\u00eb ) shkojm\u00eb n\u00eb teat\u00ebr, pyetje e cila ka natyrisht p\u00ebrgjigje t\u00eb ndryshme.
Sa her\u00eb q\u00eb vi n\u00eb Shqip\u00ebri n\u00eb \u00e7do periudh\u00eb t\u00eb vitit, ndjek kalendarin e shfaqjeve teatrale dhe fal\u00eb miqve artist\u00eb ( faleminderit Luli Bitri , Elia Zaharia, Silvana Bra\u00e7e ) porosis biletat q\u00eb m\u00eb par\u00eb.
Natyrisht nj\u00eb nga arsyet p\u00ebr t\u00eb cilat personalisht, \u00ebsht\u00eb kasta e aktor\u00ebve t\u00eb cil\u00ebt na kan\u00eb dh\u00ebn\u00eb k\u00ebnaq\u00ebsin\u00eb me loj\u00ebn e tyre.
Ajo q\u00eb m\u00eb p\u00eblqen \u00ebsht\u00eb se n\u00eb shfaqje nuk m\u00eb ka ndodhur t\u00eb shkoj\u00eb vet\u00ebm, kur dalja p\u00ebr kafe, sh\u00ebtitje apo ekspozit\u00eb, mund edhe t\u00eb jet\u00eb edhe solo.
Emocione q\u00eb fillojn\u00eb me p\u00ebrzgjedhjen e garde-robes apo makijazhit , t\u00eb cilat shoq\u00ebrohen me ethet e shfaqjes kur p\u00ebrballesh p\u00ebr s\u00eb ” gjalli” me aktor\u00ebt e tu m\u00eb t\u00eb p\u00eblqyer.
Skena e teatrit \u00ebsht\u00eb ajo q\u00eb vesh apo zbulon si aktorin dhe spektatorin nga shtirja apo pasioni, nga profesionalizmi apo amatorizmi, nga frika apo siguria, e art\u00ebdash\u00ebsi \u00ebsht\u00eb termometri i pagabuesh\u00ebm.
Mbarimi i shfaqjes shoq\u00ebrohet nga takimet me ” personazhet e zhveshur” t\u00eb cil\u00ebt duken m\u00eb n\u00eb siklet nga p\u00ebrballja me spektatorin pas sken\u00ebs, p\u00ebrg\u00ebzimet dhe fotot, shtr\u00ebngimet e duarve, apo p\u00ebrqafimet sikur t\u00eb dyja pal\u00ebt t\u00eb njiheshin prej koh\u00ebsh.
Mbr\u00ebmja vazhdon rreth got\u00ebs s\u00eb ver\u00ebs dhe gatimit tradicional, duke ” analizuar” loj\u00ebn e profesionist\u00ebve n\u00eb sken\u00eb, mesazhet dhe ndjesit\u00eb e secilit q\u00eb ka zgjuar di\u00e7ka tek vetja.<\/p>\n\n\n\n
Ajo q\u00eb t\u00eb vjen keq \u00ebsht\u00eb se spektatori kur shkon n\u00eb teat\u00ebr, udh\u00ebhiqet m\u00eb tep\u00ebr nga preferencat e tij ndaj aktor\u00ebve, intervistat e tyre nga gazetar\u00eb t\u00eb cil\u00ebt ende nuk e kan\u00eb par\u00eb shfaqjen apo lexuar vepr\u00ebn. Por ajo m\u00eb e trishtueshmja \u00ebsht\u00eb mungesa e kritik\u00ebs s\u00eb mir\u00ebfillt\u00eb e cila do t\u00eb b\u00ebnte q\u00eb spektatori t\u00eb udh\u00ebhiqej nga nj\u00eb orientim profesional n\u00eb p\u00ebrzgjedhjen e vet, dhe kjo hyn tek t\u00eb drejtat e art\u00ebdash\u00ebsit.
Kritik\u00ebt, analist\u00ebt, specialist\u00ebt, gazetar\u00ebt, nuk munden dot t\u00eb gjejn\u00eb koh\u00ebn e ndjekjes s\u00eb nj\u00eb shfaqeje teatrale, pasi preokupimi i tyre gjithmon\u00eb e m\u00eb shum\u00eb, mbeten emisione apo spektakle t\u00eb cil\u00ebt fatkeq\u00ebsisht nuk nxjerrin n\u00eb pah vlerat jo vet\u00ebm t\u00eb artit, por as ato komb\u00ebtare n\u00eb edukim t\u00eb brezave.
” Shkova n\u00eb teat\u00ebr p\u00ebr loj\u00ebn e aktor\u00ebve t\u00eb mi t\u00eb preferuar”, m\u00eb thot\u00eb nj\u00eb mikesha ime;
“nd\u00ebrsa un\u00eb doja ta kaloja koh\u00ebn n\u00eb m\u00ebnyr\u00eb v\u00ebrtet\u00eb t\u00eb kulturuar”;
” kisha koh\u00eb q\u00eb nuk kisha par\u00eb nj\u00eb shfaqje t\u00eb till\u00eb”;
“pasi m\u00eb pas do vazhdohet me dark\u00ebn e organizuar si fundjav\u00eb e do b\u00ebheshim dhe ne kritik\u00eb”,
” teatri \u00ebsht\u00eb arg\u00ebtimi yn\u00eb familjar”,
” jemi t\u00eb abonuar n\u00eb teat\u00ebr, \u00ebsht\u00eb udh\u00ebtimi im i radh\u00ebs”, ” kisha nevoj\u00eb p\u00ebr emocione reale”, etj arsye q\u00eb i b\u00ebjn\u00eb miqt\u00eb e mi ” t\u00eb dalin nga sht\u00ebpia” e t\u00eb shkojn\u00eb n\u00eb teat\u00ebr.
Ah, desha t’ju propozoj di\u00e7ka; n\u00ebse p\u00ebr fundjav\u00eb doni t’i dhuroni familjar\u00ebve apo miqve tuaj di\u00e7ka, bileta m\u00eb e k\u00ebndshme se dy kafe, \u00ebsht\u00eb teatri q\u00eb v\u00eb p\u00ebrball\u00eb dy profesionist\u00eb, ” Profesionisti”- Lluka n\u00ebn ” kanatiren e leshit” t\u00eb aktorit kryesor Viktor Zhustit e Astrit Hasani, me regji t\u00eb regjizorit tashm\u00eb t\u00eb njohur, Leka Bungo e t\u00eb tjer\u00eb aktor\u00eb.<\/p>\n\n\n\n
Po ju p\u00ebrse shkoni n\u00eb teat\u00ebr?<\/p>\n","protected":false},"excerpt":{"rendered":"
P\u00ebrse shkojm\u00eb n\u00eb teat\u00ebr?Pyetje q\u00eb kritikja e teatrit francez S.C e drejtoi gjat\u00eb konferenc\u00ebs n\u00eb Sorbon\u00eb.Anglez\u00ebt si shekspirian t\u00eb devotsh\u00ebm, p\u00ebr t\u00eb b\u00ebr\u00eb humor me spektatorin amerikan, nj\u00eb shekull m\u00eb par\u00eb, tregojn\u00eb:” Na ishte nj\u00eb her\u00eb nj\u00eb mbes\u00eb e cila p\u00ebr ta k\u00ebnaqur gjyshen e saj si dhurat\u00eb p\u00ebr dat\u00eblindjen, e \u00e7on t\u00eb shoh Hamletin. […]<\/p>\n","protected":false},"author":5,"featured_media":29815,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,1356,41],"tags":[2575],"class_list":["post-29814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kinema","category-living","category-televizion","tag-teater"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/29814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=29814"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/29814\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/29815"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=29814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=29814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=29814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}