Nje analize e vecante nga poetesha ..
interpretuesja Rudina Papajani mbi filmin “Tuneli”.<\/p>\n\n\n\n
FOKUS RRETH FILMIT \u201cTUNEL\u201d!<\/p>\n\n\n\n
Duke prekur maj\u00ebn e ajzbergut sadopak mundohesh t\u00eb g\u00ebrvisht\u00ebsh at\u00eb kore plag\u00eb q\u00eb kaq shum\u00eb l\u00ebndon,kaq shum\u00eb jep sh\u00ebmb\u00eblltyr\u00ebn e t\u00eb keqes n\u00eb shoq\u00ebrin\u00eb shqiptare n\u00eb periudh\u00ebn e tranzicionit e m\u00eb tej.K\u00ebt\u00eb fokuson filmi me vlera Tuneli sjell mjesht\u00ebrisht nga idea ..regjia dhe produksioni i Ilir Harxhit.E gjith\u00eb kjo tablo paraqet fasad\u00ebn e korrupsionit q\u00eb vjen si nj\u00eb trajektore e nj\u00eb skeleti n\u00eb dukje n\u00eb ngjitje.Satira e holl\u00eb nxjerr n\u00eb pah veset dhe llumin e pushtetar\u00ebve q\u00eb shkaktojn\u00eb dhimbje dhe posht\u00ebrim mbi njerzit e ndersh\u00ebm.K\u00ebta dallkauk marrin poste pa merit\u00eb n\u00ebp\u00ebrmjet pushtetit t\u00eb paras\u00eb dhe imoralitetit.Filmi Tuneli vjen para shikuesve si nj\u00eb film komedi satir\u00eb..si nj\u00eb e mir\u00eb thumbuese kundrejt t\u00eb keqes.Demaskimi..loja e pis\u00ebt e pushtetar\u00ebve nxjerr n\u00eb pah an\u00ebn m\u00eb negative t\u00eb shoq\u00ebris\u00eb ku e keqja s’ka fund.Filmi zhvillohet n\u00eb tre etapa\u2026fillon me demostratat e opozit\u00ebs\u2026marrjen e pushtetit\u2026dhe loj\u00ebn e korupsionit edhe n\u00eb “inagurimin e nj\u00eb rruge apo t\u00eb nj\u00eb “tuneli”.Ngjarjet variojn\u00eb rreth pushimeve n\u00eb fshat t\u00eb shoferit t\u00eb kryeministrit.Nga nj\u00eb fshatar i thjesht\u00eb denigrohet n\u00eb sh\u00ebndrimin total t\u00eb tij si nj\u00eb njeri i r\u00ebnd\u00ebsish\u00ebm ..
dal\u00ebngadal\u00eb fillojn\u00eb t’i p\u00eblqejn\u00eb parat..femrat..E sjell kjo mjesht\u00ebrisht nga aktori Arben Derhemi.N\u00eb film spikat babai i shoferit Mucua si sinonim i fshatarit me vese q\u00eb mendon se mund t\u00eb ket\u00eb \u00e7do gj\u00eb..dhe nj\u00eb vajz\u00eb t\u00eb re,vet\u00ebm e vet\u00ebm se djali i tij punon p\u00ebr kryeministrin.
Vlen t\u00eb theksohet loja brilante e aktorve Enver Petrovci,artisti i popullit Robert Ndrenika,Naum Shundi,Sokol Angjeli,Bujar Asqeriut q\u00eb n\u00eb rastin konkret luajn\u00eb rolin e pushtetar\u00ebve q\u00eb nd\u00ebrtuan piramid\u00ebn e dallavereve, e tjet\u00ebrsimit t\u00eb provave,e korrupsionit pasiv dhe e konkurseve pa merit\u00eb.E n\u00eb gjith\u00eb k\u00ebt\u00eb vorbull e kaos mediok\u00ebr shfaqen njerzit e thjesht\u00eb q\u00eb besojn\u00eb te \u00e7do lloj partie q\u00eb vinte n\u00eb pushtet..E dh\u00ebn\u00eb kjo me duartrokitjet dhe dashamir\u00ebsin\u00eb e tyre.
Inagurimi i rrug\u00ebs apo tuneli fals tregon demagogjin\u00eb e pushtetar\u00ebve q\u00eb kthehen delirant n\u00eb prani t\u00eb popullit p\u00ebr t’i \u00e7vatur ata me \u00e7do \u00e7mim,derri n\u00eb posht\u00ebrimin e dinjitetit njer\u00ebzor.Cdo hap konjukture \u00ebsht\u00eb rrug\u00eb e minuar,nj\u00eb trajektore fantaz\u00ebm ku vjedh\u00ebsi k\u00ebrkon hajdutin e imagjinuar.E nd\u00ebrsa k\u00ebta pushtetar arrijn\u00eb e kacafyten me nj\u00ebri -tjetrin deri n\u00eb shantazh para tyre shfaqet m\u00ebsuesi i fshatit si nj\u00eb figur\u00eb popullore e pozitive interpretuar nga aktori i talentuar Mehdi Malka.
Gjuha alegorike e tij,thumbuese, shpotit\u00ebse,e vrullshme nga brendia e shpirtit ngrihet si grusht i fuqish\u00ebm mbi kupol\u00ebn e paprekshme q\u00eb vet\u00ebm mendja njerzore polli,duke lindur m\u00ebkatin,shfryt\u00ebzimin total t\u00eb njer\u00ebzve t\u00eb vegj\u00ebl q\u00eb nuk shikojn\u00eb asgj\u00eb rreth e qark..ve\u00e7 bot\u00ebs t\u00eb krimbur t\u00eb parave.Vlen p\u00ebr t’u p\u00ebrmendur muzika e kuruar deri n\u00eb detaj n\u00eb funksion t\u00eb realizimit t\u00eb k\u00ebtij filmi t\u00eb arrir\u00eb e sjell kaq me nivel nga kompozitori i talentuar Miron Kotani.
Filmi Tuneli mbart vlera pozitive themelore p\u00ebr faktin se d\u00ebnon \u00e7do lloj forme partiake,
deformimin q\u00eb shkon deri n\u00eb maj\u00ebn e malit e shembet si fllusk\u00eb n\u00eb gjolin me er\u00eb t\u00eb qelbur.
N\u00eb an\u00ebn tjet\u00ebr ngre lart integritetin e njer\u00ebzve t\u00eb thjesht\u00eb q\u00eb mbijetojn\u00eb n\u00eb k\u00ebt\u00eb katrahur\u00eb.
Po ta shikosh n\u00eb k\u00ebndv\u00ebshtrim tjet\u00ebr vet\u00eb fjala Tunel i pushtetar\u00ebve vjen si koncentrim apo viktimizimi i kupol\u00ebs q\u00eb bashk\u00eb me veset fsheh\u00ebn an\u00ebn m\u00eb korruptive n\u00eb at\u00eb “inagurim tuneli fals.Filmi Tuneli tregon at\u00eb udh\u00eb t\u00eb dirsur q\u00eb kaplon \u00e7do gjurm\u00eb t\u00eb nj\u00eb t\u00eb keqe t\u00eb madhe si\u00e7 \u00ebsht\u00eb korrupsioni.E pra horizonti
edhe pse sjell pasoja nga pushtetar pa gjak,
sjell SPIRANC\u00cbN q\u00eb godet trut\u00eb e s\u00ebmura si smogu n\u00eb shi.
RUDINA PAPAJANI<\/p>\n","protected":false},"excerpt":{"rendered":"
Nje analize e vecante nga poetesha ..interpretuesja Rudina Papajani mbi filmin “Tuneli”. FOKUS RRETH FILMIT \u201cTUNEL\u201d! Duke prekur maj\u00ebn e ajzbergut sadopak mundohesh t\u00eb g\u00ebrvisht\u00ebsh at\u00eb kore plag\u00eb q\u00eb kaq shum\u00eb l\u00ebndon,kaq shum\u00eb jep sh\u00ebmb\u00eblltyr\u00ebn e t\u00eb keqes n\u00eb shoq\u00ebrin\u00eb shqiptare n\u00eb periudh\u00ebn e tranzicionit e m\u00eb tej.K\u00ebt\u00eb fokuson filmi me vlera Tuneli sjell mjesht\u00ebrisht […]<\/p>\n","protected":false},"author":5,"featured_media":29731,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[241],"tags":[2819],"class_list":["post-29730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersi","tag-rudina-papajani"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/29730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=29730"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/29730\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/29731"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=29730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=29730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=29730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}