{"id":28977,"date":"2022-07-23T19:17:38","date_gmt":"2022-07-23T17:17:38","guid":{"rendered":"https:\/\/intervista.al\/web\/?p=28977"},"modified":"2022-07-23T20:56:08","modified_gmt":"2022-07-23T18:56:08","slug":"triptiku-gjaku-i-dallendyshes-tre-romane-ne-nje-liber-cfare-kenaqesie-te-lexosh-zija-celennga-halil-rama-mjeshter-i-madh","status":"publish","type":"post","link":"https:\/\/intervista.al\/web\/2022\/07\/triptiku-gjaku-i-dallendyshes-tre-romane-ne-nje-liber-cfare-kenaqesie-te-lexosh-zija-celennga-halil-rama-mjeshter-i-madh\/","title":{"rendered":"Triptiku \u201cGjaku i\u00a0dall\u00ebndyshes\u201d\u00a0– Tre romane n\u00eb nj\u00eb lib\u00ebr -\u00c7FAR\u00cb K\u00cbNAQ\u00cbSIE T\u00cb LEXOSH ZIJA \u00c7EL\u00cbN!Nga Halil Rama – Mjesht\u00ebr i Madh"},"content":{"rendered":"\n

Vitin e kaluar Onufri botoi tri romane t\u00eb Zija \u00c7el\u00ebs n\u00eb nj\u00eb v\u00ebllim t\u00eb p\u00ebrbashk\u00ebt. Kur nj\u00eb vep\u00ebr letrare botohet p\u00ebr her\u00eb t\u00eb kat\u00ebrt, si\u00e7 ka ndodhur me romanin \u201cGjaku i dall\u00ebndyshes<\/em>\u201d t\u00eb \u00c7el\u00ebs (botimi i par\u00eb – Naim Frash\u00ebri, Tiran\u00eb 1990; botimi i dyt\u00eb – Dukagjini, Pej\u00eb 1992; botimi i tret\u00eb – Koha ditore, Prishtin\u00eb 2005 dhe botimi i kat\u00ebrt \u2013 Onufri, Tiran\u00eb 2021), s\u2019ka dyshim q\u00eb ai \u00ebsht\u00eb nd\u00ebr m\u00eb t\u00eb k\u00ebrkuarit e m\u00eb t\u00eb preferuarit nga lexuesi. Dhe kur kjo ndodh edhe me dy romanet e tjera,\u201cGjysma e Xhokond\u00ebs<\/em>\u201d dhe \u201cBanketi i hijeve<\/em>\u201d, pjes\u00eb e k\u00ebtij triptiku (I pari i ribotuar nga Onufri n\u00eb 2021, pas botimit t\u00eb par\u00eb m\u00eb 1992 nga ShBL, Tiran\u00eb, dhe botimit t\u00eb dyt\u00eb nga Flaka e V\u00ebllaz\u00ebrimit, Shkup, m\u0113 1998; nd\u00ebrsa i dyti ribotim nga Onufri m\u00eb 2021, pas botimit t\u00eb par\u00eb nga Dukagjini, Pej\u00eb, m\u00eb 1997), kureshtja e lexuesit p\u00ebr ta \u00ebsht\u00eb e shkall\u00ebs m\u00eb sip\u00ebrore.<\/p>\n\n\n\n

1<\/strong><\/p>\n\n\n\n

K\u00ebshtu ndodhi edhe me mua gjat\u00eb shtat\u00eb dit\u00ebve t\u00eb k\u00ebsaj vere t\u00eb nxeht\u00eb, duke lexuar tri romanet e triptikut “Gjaku i dall\u00ebndyshes<\/em>“. Dhe sinqerisht u befasova me l\u00ebnd\u00ebn e larmishme, bukurin\u00eb e narrativ\u00ebs, karakteret e shumta, p\u00ebrshkrimet e portretizimet brilante, gjuh\u00ebn e pasur e gjith\u00eb forc\u00eb shpreh\u00ebse. Vet\u00ebm nj\u00eb gjeni si Zija \u00c7ela di t\u00eb sjell\u00eb aq atistikisht n\u00eb nj\u00eb roman virgj\u00ebrin\u00eb si tabu (\u201cGjaku\u2026); shpirtin rebel t\u00eb banor\u00ebve t\u00eb Bardhgolemit e figurat groteske t\u00eb tre gjeneral\u00ebve t\u00eb Barabis\u0113, nj\u00ebri prej t\u00eb cil\u00ebve “vret” ku\u00e7edr\u00ebn, q\u00eb t\u00eb rridhte uji p\u00ebr bashk\u00ebfshatar\u00ebt, por b\u00ebhet vet\u00eb ku\u00e7ed\u00ebr (“Gjysma\u2026<\/em>\u201d); si dhe historin\u00eb e nj\u00eb konflikti absurd, lindur q\u00eb n\u00eb gjenez\u00eb, se cila nga popullatat e krahin\u00ebs, ku zhvillohen ngjarjet, ka tru n\u00eb kok\u00eb e cila \u00ebsht\u00eb vet\u00ebm brum\u00eb kungulli. (Banketi i hijeve<\/em>“).
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Tri romane n\u00eb nj\u00eb, ku pasi i ke lexuar, t\u00eb mbeten n\u00eb mendje shum\u00eb shprehje plot dometh\u00ebnie, si k\u00ebto: “N\u00eb Bardhgolem burrat, q\u00eb jan\u00eb burra, nuk pranojn\u00eb t\u00eb mbajn\u00eb nd\u00ebrresa t\u00eb pista dhe gra t\u00eb p\u00ebrdorura.”; “Ata t\u00eb Bardhgolemit k\u00ebrkuan gjakun e \u00e7ar\u00e7afit dhe gjet\u00ebn gjakun e arkivoleve”; “N\u00eb sht\u00ebpin\u00eb ku mungon nj\u00eb dor\u00eb gruaje, besohet se ndryshimet vijn\u00eb vet\u00ebm nga zvet\u00ebnimi”; “Kungulli po pushton bot\u00ebn dhe Mamaci nuk ka si t\u00eb mbetet jasht\u00eb k\u00ebtij ekspancioni”<\/em>, etj.<\/p>\n\n\n\n

P\u00ebr k\u00ebto tri vepra kan\u00eb shkruar me vler\u00ebsime t\u00eb larta pena t\u00eb shquara. Pjes\u00eb nga shkrimet e tyre botohen n\u00eb lib\u00ebr si Pasth\u00ebnie. Jan\u00eb aty Mehmet Kraja, Eqrem Basha, Laz\u00ebr Stani, Ramadan Musliu, Ali Aliu, Remzi Lani, Linda Abazi, Arb\u00ebr Ahmetaj, Tefik \u00c7aushi, Halil Matoshi, Ismail Syla e Xhemail Mustafa. Ata i analizojn\u00eb romanet e \u00c7el\u00ebs jo vet\u00ebm n\u00eb raport me krijimtarin\u00eb e autorit dhe t\u00eb let\u00ebrsis\u00eb shqipe, por edhe me vepra e autor\u00eb t\u00eb m\u00ebdhenj t\u00eb let\u00ebrsis\u00eb s\u00eb huaj. Dhe p\u00ebrfundimet e tyre jan\u00eb sa orientuese, po aq t\u00eb g\u00ebzueshme.<\/p>\n\n\n\n

2<\/strong><\/p>\n\n\n\n

Pa pretenduar t\u00eb b\u00ebj kritik\u00ebn e mir\u00ebfillt\u00eb letrare, d\u00ebshiroj t\u00eb theksoj disa nga mesazhet filozofike q\u00eb p\u00ebrcjell Zija \u00c7ela n\u00eb k\u00ebto tri romane.<\/p>\n\n\n\n

Tek i pari, \u201cGjaku i dall\u00ebndyshes<\/em>\u201d, mesazhe t\u00eb tilla p\u00ebrcillen gjat\u00eb gjth\u00eb zhvillimit t\u00eb ngjarjeve. Madje t\u00eb b\u00ebjn\u00eb p\u00ebrshtypje jo vet\u00ebm em\u00ebrtimi i Bardhgolemit, vendbanimit ku jan\u00eb skenat e ngjarjes, por edhe vet\u00eb emrat mbres\u00ebl\u00ebn\u00ebs t\u00eb personazheve: Baltazari, doktor Zhavello, \u00c7onda, Kondo, Ana, Shushulla, Lola, Vog\u00ebl Heta, Kubat Kubati, Kova\u00e7 Kova\u00e7i, Xhem\u00eb Kurti, etj. <\/p>\n\n\n\n

T\u00eb gjith\u00eb nd\u00ebrveprojn\u00eb n\u00eb funksion t\u00eb realizimit t\u00eb nj\u00eb dasme, nga e cila t\u00eb nes\u00ebrmen synohet t\u00eb provohet virgj\u00ebria (ose zhvirgj\u00ebrimi) e nuses, duke e \u201cpublikuar\u201d \u00e7ar\u00e7afin e p\u00ebrgjakur.Mesazhi \u00ebsht\u00eb i qart\u00eb: virgj\u00ebria vajz\u00ebrore si tabu deri dit\u00ebn e mart\u00ebs\u00ebs! P\u00ebr t\u00eb provuar k\u00ebt\u00eb, p\u00ebrzgjidhen edhe shoq\u00ebruesit  edh\u00ebnd\u00ebrit e t\u00eb nuses si d\u00ebshmitar\u00eb. Si\u00e7 organizohet edhe p\u00ebrgjimi i fsheht\u00eb okular p\u00ebr aktin e nat\u00ebs s\u00eb par\u00eb.<\/p>\n\n\n\n

Si njoh\u00ebs perfekt i s\u00eb drejt\u00ebs zakonore, pasi ka v\u00ebzhguar, perceptuar e p\u00ebrzgjedhur produktin n\u00eb nj\u00eb zon\u00eb si Bardhgolemi, mjeshtri Zija \u00c7ela na mahnit me bukurin\u00eb e fjal\u00ebs, teksa v\u00eb n\u00eb goj\u00ebn e p\u00ebrsonazheve shprehje t\u00eb tilla: \u201ce shkuara \u00ebsht\u00eb si nj\u00eb varrez\u00eb, ku njer\u00ebzit t\u00ebr\u00eb jet\u00ebn ecin n\u00eb maj\u00eb t\u00eb gisht\u00ebrinjve, nga frika se mos shkelin di\u00e7ka q\u00eb p\u00ebrb\u00ebn mekat<\/em>.\u201d (fq.75). Dhe m\u00eb tej: \u201cKa gjasa q\u00eb bash n\u00eb shpirtin e burrit t\u00eb gjendet varri i v\u00ebrtet\u00eb i gruas!\u201d <\/em>(fq. 80) Fantazia e autorit t\u00eb v\u00eb n\u00eb mendime, kur sjell n\u00eb v\u00ebmendjen e lexuesit zakonin, sipas t\u00eb cilit: \u201cdh\u00ebndri gjithmon\u00eb ka pasur shoq\u00ebrues burr\u00eb t\u00eb martuar, nusja doemos grua t\u00eb martuar. Dhe dihet p\u00ebrse: ve\u00e7 t\u00eb tjerave, shoq\u00ebruesit i m\u00ebsojn\u00eb ata t\u00eb <\/em>dy<\/em> si t\u00eb flen\u00eb me nj\u00ebri-tjetrin nat\u00ebn e par\u00eb. P\u00ebr t\u00eb m\u00ebsuar kaq gj\u00eb, vajz\u00ebs i duhen<\/em>  nj\u00ebzet<\/em> ose nj\u00ebzet e pes\u00eb vjet<\/em>\u2026\u201d (fq.79-80).<\/p>\n\n\n\n

Teksa ngjarjet v\u00ebrtiten rreth \u00e7ar\u00e7afit t\u00eb d\u00ebshmis\u00eb, autori namagjeps me personifikimin e burrave t\u00eb Bardhgolemit, atyre q\u00eb nuk pranojn\u00eb t\u00eb mbajn\u00eb nd\u00ebrresa t\u00eb pista dhe gra t\u00eb p\u00ebrdorura<\/em>. K\u00ebsisoj, Z. \u00c7ela e vendos bot\u00ebn shqiptare n\u00eb kthetrat e s\u00eb djeshmes dhe t\u00eb sotmes. <\/p>\n\n\n\n

Nj\u00eb dasm\u00eb e cila fillon n\u00eb oborr, vazhdon me vrasje, por edhe me ngritjen e t\u00eb vdekurit nga karroca, ku e kishin v\u00ebn\u00eb trupin e tij, p\u00ebr t\u2019u rivrar\u00eb p\u00ebrs\u00ebri. Sepse asgj\u00eb nuk ndodh rast\u00ebsisht.Edhe sikur nj\u00ebmij\u00eb her\u00eb t\u00eb p\u00ebrs\u00ebriteshin ngjarjet, thuhet n\u00eb faqet e para t\u00eb romanit, nj\u00ebmij\u00eb her\u00eb do t\u00eb ndodhte vrasja. Dhe sikur kjo t\u00eb mos mjaftonte, autori rr\u00ebfen mjesht\u00ebrisht edhe nj\u00eb vet\u00ebvrasje misterioze, larg syve t\u00eb dasmor\u00ebve dhe pa d\u00ebshmitar. K\u00ebtu intriga b\u00ebhet thell\u00ebsisht befasuese, duke e vendosur v\u00ebt\u00ebvrasjen e \u00c7ond\u00ebs n\u00eb dhom\u00ebn e dh\u00ebnd\u00ebrit. Ndaj dhe Eqerem Basha do ta konsideronte romanin \u201cnj\u00eb kronik\u00eb shqiptare me nj\u00eb loj\u00eb t\u00eb jasht\u00ebzakonshme t\u00eb krimit dhe misterit, t\u00eb krenaris\u00eb, sedr\u00ebs, psikologjis\u00eb s\u00eb shqiptarit, e thurur me mjesht\u00ebrin\u00eb e prozatorit t\u00eb rac\u00ebs, i cili di t\u00eb krijoj\u00eb pamje dhe t\u00eb nd\u00ebrtoj\u00eb personazhe, \u00e7far\u00eb pak e ndeshim n\u00eb proz\u00ebn shqiptare n\u00eb p\u00ebrgjith\u00ebsi. <\/em>Dasma dhe krimi, aq t\u00eb af\u00ebrta me nj\u00ebra-tjetr\u00ebn dhe aq t\u00eb fisit me legjendat shqiptare, p\u00ebrs\u00ebri m\u00eb gjer\u00eb se kaq, me p\u00ebrshkrime t\u00eb jasht\u00ebzakonshme t\u00eb personazheve, tipa t\u00eb ve\u00e7ant\u00eb dhe krejt\u00ebsisht joshabllonik\u00eb<\/em>.\u201d<\/p>\n\n\n\n

3<\/strong><\/p>\n\n\n\n

Ndon\u00ebse p\u00ebrs\u00ebri me nj\u00eb kolorit t\u00eb pasur e plot ngjyra, n\u00eb nj\u00eb linj\u00eb tjet\u00ebr i vendos ngjarjet e personazhet Zija \u00c7ela te romani \u201cGjysma e Xhokond\u00ebs\u201d. Mika (Mimika Gjoka), e fejuara e   Albertit dhe mike e ngusht\u00eb e Aldos, do t\u2019u deklaroj\u00eb atyre q\u00eb n\u00eb fillim se \u00ebsht\u00eb \u201cnga ai vend, ku t\u00eb vdekurit gjithmon\u00eb i shtrijn\u00eb me fytyr\u00ebn nga per\u00ebndon dielli dhe t\u00eb gjall\u00ebt s\u2019flen\u00eb kurr\u00eb me kok\u00ebn nga varrezat<\/em>\u201d. Por gjithashtu edhe fare \u00e7iltazi: \u201cKaq t\u00eb mir\u00eb jeni t\u00eb <\/em>dy<\/em>, sa nganj\u00ebher\u00eb \u00e7uditem q\u00eb jam fejuar vet\u00ebm me nj\u00ebrin<\/em>.\u201d Pas zhdukjes misterioze t\u00eb k\u00ebsaj zonjusheje, q\u00eb \u201cn\u00eb shpirtin e saj t\u00eb aventur\u00ebs kishte gjithnj\u00eb nj\u00eb ndjenj\u00eb drejtpeshimi<\/em>\u201d, do t\u00eb vihen n\u00eb k\u00ebrkim t\u00eb saj jo vet\u00ebm ata, por edhe autoritetet lokale. Me k\u00ebt\u00eb intrig\u00eb t\u00ebrheq\u00ebse nis romani. Dhe me pesh\u00ebn se kishte humbur personazhja, p\u00ebr t\u00eb cil\u00ebn \u201ce shkuara mbetet shpesh po aq interesante dhe po aq e panjohur <\/em>sa<\/em> e ardhmja, megjith\u00ebse nj\u00ebra \u00ebsht\u00eb dimension i jet\u00ebs dhe tjetra i vdekjes<\/em>.\u201d<\/p>\n\n\n\n

\u00cbsht\u00eb pik\u00ebrisht nd\u00ebrveprimi i k\u00ebtyre personazheve, s\u00eb bashku me tre gjeneral\u00ebt e me figura t\u00eb tjera, q\u00eb p\u00ebrb\u00ebjn\u00eb pothuajse t\u00ebr\u00eb zhvillimin e ngjarjeve. Madje nga d\u00ebshtimi i k\u00ebrkimeve, fantazia e autorit shkon p\u00ebrtej ndjenj\u00ebs s\u00eb m\u00ebshir\u00ebs kur, si t\u2019i jet\u00eb dridhur dora, shkruan: \u201cO Zot, m\u00ebshir\u00eb p\u00ebr banor\u00ebt e Barabis\u00eb: k\u00ebdo q\u00eb kan\u00eb n\u00eb krye, gjithmon\u00eb do t\u2019ua dhjes\u00eb pun\u00ebt<\/em>!\u201d<\/p>\n\n\n\n

Dhe s\u2019kishte si t\u00eb ndodhte ndryshe, p\u00ebrderisa situata zot\u00ebrohej nga tre gjeneral\u00eb t\u00eb vet\u00ebshpallur: gjeneral \u00c7onda, gjeneral Bitoku dhe gjeneral Harito, me k\u00ebt\u00eb titull prej graduat\u00ebsh falso, t\u00eb cil\u00ebt nat\u00ebn \u201ce b\u00ebnin \u00e7i\u00e7in si kalamajt\u00eb n\u00eb uturak<\/em>\u201d.<\/p>\n\n\n\n

Duke p\u00ebrligjur bot\u00ebn psikologjike dhe linj\u00ebn e vijim\u00ebsis\u00eb me romanin \u201cGjaku i dall\u00ebndyshes<\/em>\u201d, autori i vendos her\u00eb pas here personazhet e Barabis\u00eb p\u00ebrball\u00eb atyre t\u00eb Bardhgolemit, si n\u00eb rastin e kund\u00ebrv\u00ebnies ndaj doktor Zhavellos. Jo pa q\u00ebllim, n\u00eb Barabi gjejm\u00eb edhe Fabrik\u00ebn e Letr\u00ebs. Sa here fryn era, n\u00eb vendbanimin Barabi, q\u00eb gabimisht i thoshin edhe Barbari, fluturojn\u00eb andej-k\u00ebtej copa letrash, ku lexohen gjith\u00ebfar\u00eb sh\u00ebnimesh. E k\u00ebt\u00eb gjetje \u00c7ela e shfryt\u00ebzon gjith\u00eb eleganc\u00eb jovet\u00ebm p\u00ebr t\u2019i ndezur ngjarjet, por edhe p\u00ebr t\u2019i veshur me mister e mendim universal. Si p\u00ebr shembull: \u201cTri gj\u00ebra jan\u00eb t\u00eb v\u00ebshtira p\u00ebr t\u2019u njohur dhe nj\u00eb gj\u00eb e kat\u00ebrt \u00ebsht\u00eb e pamundur t\u00eb njihet. Ato jan\u00eb: gjurma e gjarp\u00ebrit mbi gur, e zogut n\u00eb aj\u00ebr, e anijes n\u00eb uj\u00eb dhe e burrit n\u00eb gruan.\u201d<\/em><\/p>\n\n\n\n

Risi n\u00eb k\u00ebt\u00eb roman jan\u00eb edhe \u201cDit\u00ebt e recitimit<\/em>\u201d, ku n\u00eb nj\u00ebr\u00ebn prej tyre spikat nj\u00eb variant tjet\u00ebr i balad\u00ebs s\u00eb Gjegj Elez Alis\u00eb.Sipas k\u00ebtij varianti, \u201cGjergji nuk vdes pas dyluftimit t\u00eb kobsh\u00ebm me Balozin e Zi, p\u00ebrkundrazi, ai vazhdon t\u00eb jetoj\u00eb p\u00ebr shum\u00eb koh\u00eb, madje nj\u00eb dit\u00eb arrin t\u00eb ngrihet m\u00eb k\u00ebmb\u00eb.<\/em><\/em>Ve\u00e7se ajo q\u00eb e ngre nuk \u00ebsht\u00eb motra, si\u00e7 thuhet n\u00eb variantin e vjet\u00ebr, e cila i rrinte mbi kok\u00eb dhe i nd\u00ebrronte n\u00ebnt\u00eb plag\u00ebt, Gjergj Elez Alin\u00eb e ngre m\u00eb k\u00ebmb\u00eb gruaja<\/em>.\u201d<\/p>\n\n\n\n

Nj\u00eb trill interesant ky, p\u00ebrkund\u00ebr gjeneral Bitokut, q\u00eb e k\u00ebrkon lavdin\u00eb p\u00ebrmes lakmis\u00eb e pushtetit t\u00eb dhunsh\u00ebm, apo gjeneral Haritos q\u00eb, me egoizmin e shfrenuar, as i verb\u00ebr s\u2019e l\u00ebshon pushtetin. E n\u00eb k\u00ebt\u00eb kuad\u00ebr, n\u00eb kuadrin e nj\u00eb metafore t\u00eb madhe, banor\u00ebt e Barabis\u00eb ndihen si p\u00ebrgjysm\u00eb. Ata pyesin n\u00ebse e kan\u00eb pasur dikur gjysm\u00ebn tjet\u00ebr t\u00eb vetvetes, e kan\u00eb pasur dhe e kan\u00eb humbur, apo s\u2019e kan\u00eb pasur asnj\u00ebher\u00eb.Prandaj nuk e njohin as Xhokond\u00ebn, duke par\u00eb vet\u00ebm gjysm\u00ebn e riprodhimit t\u00eb saj n\u00eb an\u00eb t\u00eb pasqyr\u00ebs te berberi Ruc B\u00ebrdaku.Sa ther\u00ebse, por edhe sa e p\u00ebrjetshme kjo metafor\u00eb.<\/p>\n\n\n\n

4<\/strong><\/p>\n\n\n\n

Pas Bardhgolemit dhe Barabis\u00eb, te \u201cBanketi i hijeve<\/em>\u201d (fitues i \u00e7mimit \u201cVelija\u201d, 1999), Zija \u00c7ela na \u00e7on n\u00eb Mamac, nj\u00eb vendbanim n\u00eb skajin tjet\u00ebr t\u00eb s\u00eb nj\u00ebjt\u00ebs fush\u00eb, ku ndodhen edhe dy t\u00eb par\u00ebt. Nga dritaret e sht\u00ebpive t\u00eb mamacian\u00ebve dallohen \u201csokaku i desh\u00ebve\u201d, \u201csokaku i gjelave\u201d dhe \u201csokaku i cjep\u00ebve\u201d<\/em>. Autori nuk vonon q\u00eb t\u00eb bllofoj\u00eb me t\u00eb famshmin kungull i madh, q\u00eb mbin dhe pushton gjith\u00eb qendr\u00ebn e Mamacit. \u201cP\u00ebr Mamacin \u00e7\u00ebshtja e kungullit \u00ebsht\u00eb moral mbi t\u00eb gjitha moralet<\/em>.\u201d (Fq.489). Sepse, duke e ngr\u00ebn\u00eb me shum\u00eb qejf, ata duan t\u00eb thon\u00eb se nuk jan\u00eb kryekungujt e gjenez\u00ebs, njer\u00ebz pa tru jan\u00eb kund\u00ebrshtar\u00ebt e tyre, bardhgolemasit dhe barabiasit. Madje, p\u00ebr armiq\u00ebsin\u00eb mes tyre, autori p\u00ebrcjell edhe k\u00ebt\u00eb kund\u00ebrv\u00ebnie t\u0113 skajshme: \u201cSa her\u00eb t\u00eb nd\u00ebrroj\u00eb jet\u00eb ndonj\u00ebri prej jush, bashk\u00eb me at\u00eb q\u00eb ka vdekur, ne do t\u00eb varrosim edhe nj\u00eb t\u00eb gjall\u00eb<\/em>.\u201d<\/p>\n\n\n\n

Me art p\u00ebrshkruhet ringjallja e Redonit dhe p\u00ebrpjekjet e tij p\u00ebr t\u00eb rigjetur t\u00eb \u00ebm\u00ebn, Dardan\u00ebn\u2026 Po mjesht\u00ebrisht, referuar incestit, Z. \u00c7ela e mban pezull lexuesin me shprehjen proverbiale: \u201cMitra e v\u00ebrtet\u00eb nuk \u00ebsht\u00eb ajo q\u00eb shpallet, mitra e njeriut \u00ebsht\u00eb truri<\/em>.\u201d K\u00ebsisoj, si\u00e7 e ka vler\u00ebsuar Arb\u00ebr Ahmetaj: \u201cMamaci i \u00c7el\u00ebs \u00ebsht\u00eb plot e p\u00ebrplot me jet\u00eb, me kurv\u00ebri e me hasm\u00ebri, me tregti e me festa, me idiot\u00ebsi e me burg, me t\u00eb marr\u00eb e me t\u00eb men\u00e7ur, me emigrant\u00eb t\u00eb ikur e t\u00eb rikthyer, me t\u00eb vdekur e t\u00eb gjall\u00eb, q\u00eb enden her\u00eb me krye e her\u00eb pa krye, me armiq p\u00ebrball\u00eb, me armiq\u00ebsi t\u00eb vjet\u00ebr sa jeta. Autori mban n\u00ebn kontroll <\/em>jo<\/em> vet\u00ebm linjat, personazhet, por edhe detaje e gdhendje nga m\u00eb t\u00eb imtat, t\u00eb cilat i sjell e risjell n\u00eb m\u00ebnyr\u00eb t\u00eb befasishme p\u00ebr k\u00ebnaq\u00ebsin\u00eb m\u00eb t\u00eb madhe t\u00eb lexuesit. <\/em>Ajo q\u00eb e shnd\u00ebrron leximin e k\u00ebtij libri n\u00eb nj\u00eb k\u00ebnaq\u00ebsi t\u00eb v\u00ebrtet\u00eb \u00ebsht\u00eb aft\u00ebsia e shkrimtarit q\u00eb t\u00eb p\u00ebrziej\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn materie letrare hiperbolizime fantastike me mite e rr\u00ebfenja t\u00eb vjetra, q\u00eb i japin shkrimit nj\u00eb natyr\u00eb eterike e mistike, nj\u00ebher\u00ebsh e k\u00ebndshme p\u00ebr t\u2019u lexuar dhe marramend\u00ebse si p\u00ebrfytyrim.<\/em> N\u00ebse v\u00ebrtet nuk arrijm\u00eb \u201ct\u00eb d\u00ebgjojm\u00eb zhurm\u00ebn q\u00eb b\u00ebn rruzulli i tok\u00ebs duke u sjell\u00eb n\u00eb boshtin e vet\u201d, si\u00e7 i ndodh nj\u00eb personazhi t\u00eb \u00c7el\u00ebs, e sigurt q\u00eb ndiejm\u00eb gurgullim\u00ebn e past\u00ebr gjuh\u00ebsore dhe mjesht\u00ebrin\u00eb e nj\u00eb shkrimtari t\u00eb madh bashk\u00ebkohor<\/em>\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vitin e kaluar Onufri botoi tri romane t\u00eb Zija \u00c7el\u00ebs n\u00eb nj\u00eb v\u00ebllim t\u00eb p\u00ebrbashk\u00ebt. Kur nj\u00eb vep\u00ebr letrare botohet p\u00ebr her\u00eb t\u00eb kat\u00ebrt, si\u00e7 ka ndodhur me romanin \u201cGjaku i dall\u00ebndyshes\u201d t\u00eb \u00c7el\u00ebs (botimi i par\u00eb – Naim Frash\u00ebri, Tiran\u00eb 1990; botimi i dyt\u00eb – Dukagjini, Pej\u00eb 1992; botimi i tret\u00eb – Koha ditore, Prishtin\u00eb […]<\/p>\n","protected":false},"author":5,"featured_media":28980,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[3449,3463],"class_list":["post-28977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet","tag-halil-rama","tag-zija-cela"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/28977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=28977"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/28977\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/28980"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=28977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=28977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=28977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}