{"id":28889,"date":"2022-06-15T17:10:25","date_gmt":"2022-06-15T15:10:25","guid":{"rendered":"https:\/\/intervista.al\/web\/?p=28889"},"modified":"2022-06-15T17:10:28","modified_gmt":"2022-06-15T15:10:28","slug":"erresire-e-oltsen-gripshit-ekspozita-qe-hedh-drite-mbi-shpirtrat-qe-pluhurosi-komunizmi","status":"publish","type":"post","link":"https:\/\/intervista.al\/web\/2022\/06\/erresire-e-oltsen-gripshit-ekspozita-qe-hedh-drite-mbi-shpirtrat-qe-pluhurosi-komunizmi\/","title":{"rendered":"\u201cErr\u00ebsir\u00eb\u201d e Oltsen Gripshit, ekspozita q\u00eb hedh drit\u00eb mbi shpirtrat q\u00eb pluhurosi komunizmi"},"content":{"rendered":"\n


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Fabjola Kuburi: Err\u00ebsir\u00eb, si nj\u00eb drit\u00eb p\u00ebr t\u00eb zbuluar shpirtrat q\u00eb regjimi komunist i pluhurosi, i internoi, i vrau. P\u00ebrmes k\u00ebsaj ekspozite, ju kujtoni madh\u00ebshtin\u00eb e tyre dhe i risillni n\u00eb v\u00ebmendje p\u00ebr shoq\u00ebrin\u00eb. Si lindi ngacmimi p\u00ebr ta realizuar k\u00ebt\u00eb ekspozit\u00eb?<\/strong><\/p>\n\n\n\n

O.G-Err\u00ebsira \u00ebsht\u00eb metafora e nj\u00eb t\u00eb shkuare sa si p\u00ebrkat\u00ebsi familjare, aq dhe si pjes\u00eb identifikuese e shoq\u00ebris\u00eb shqiptare gjat\u00eb viteve t\u00eb diktatur\u00ebs komuniste n\u00eb Shqip\u00ebri. Shk\u00ebndia e par\u00eb t\u00eb realizuar k\u00ebt\u00eb ekspozit\u00eb, apo p\u00ebr t\u00eb shnd\u00ebrruar disa vegime, rr\u00ebfime dhe ndjesi n\u00eb nj\u00eb ekspozit\u00eb ka qen\u00eb dhimbja q\u00eb prind\u00ebrit e mi e p\u00ebr rrjedhoj\u00eb edhe ne si bij\u00eb t\u00eb tyre kaluam gjat\u00eb atyre viteve si t\u00eb p\u00ebrndjekur politik. E gjitha nisi gjat\u00eb qendrimit ulur buz\u00ebdetit n\u00eb nj\u00eb nat\u00eb vere n\u00eb Durr\u00ebs, ku t\u00eb qendruarit p\u00ebrball\u00eb err\u00ebsir\u00ebs q\u00eb kishte mb\u00ebshtjell detin at\u00eb nat\u00eb m\u00eb b\u00ebri t\u00eb reflektoj ndaj t\u00eb shkuar\u00ebs. Nj\u00eb ndjesi aq e ve\u00e7ant\u00eb sa n\u00eb \u00e7ast nisa t\u00eb hulumtoj err\u00ebsir\u00ebn si nj\u00eb p\u00ebrmas\u00eb fizike pa form\u00eb e pa v\u00ebllim, por e ndjeshme dhe e perceptueshme, e cila n\u00eb t\u00eb kund\u00ebrt nga drita kur t\u00eb mb\u00ebshtjell n\u00eb gjirin e saj t\u00eb b\u00ebn t\u00eb udh\u00ebtosh n\u00ebp\u00ebr shtigjet e mendjes, n\u00eb koh\u00eb pa koh\u00eb, duke mbetur pezull i greg\u00ebzuar brigjeve t\u00eb nd\u00ebrgjegj\u00ebs t\u00ebnde p\u00ebr ekzistenc\u00eb, me d\u00ebshir\u00ebn p\u00ebr t\u2019i komunikuar t\u00eb tjer\u00ebve ndjesit\u00eb e mia p\u00ebr t\u00eb shkuar\u00ebn dhe dram\u00ebn e jetuar in personam gjat\u00eb diktatur\u00ebs komuniste.<\/p>\n\n\n\n

-\u00c7far\u00eb fshihet pas simbolik\u00ebs s\u00eb bardh\u00eb t\u00eb kanotiereve t\u00eb varura n\u00eb tunel?<\/strong><\/p>\n\n\n\n

O.G. Ekspozita \u00ebsht\u00eb nd\u00ebrtuar mbi nj\u00eb simbolik\u00eb universale, at\u00eb t\u00eb triumfit t\u00eb jet\u00ebs mbi t\u00eb keqen e nj\u00eb sistemi utopik, ndaj edhe bardh\u00ebsia e kanotiereve simbolizon jet\u00ebt e atyre viktimave, q\u00eb nuk ia dol\u00ebn dot t\u2019i mbijetonin atij sistemi,. Instalacioni i kanotiereve t\u00eb bardha shtrihet n\u00eb t\u00eb gjith\u00eb gjat\u00ebsin\u00eb e tunelit t\u00eb n\u00ebndhesh\u00ebm atomik, i cili gjendet n\u00eb oborrin p\u00ebrpara Muzeut Komb\u00ebtar t\u00eb P\u00ebrgjimeve t\u00eb Sigurimit t\u00eb Shtetit \u201cSht\u00ebpia me Gjethe\u201d, duke u vendosur ashtu shkompozuar si edhe portretet familjare q\u00eb ndodhen n\u00eb ekspozit\u00eb, si p\u00ebr t\u00eb th\u00ebn\u00eb dhe p\u00ebrcjell te publiku ndjesin\u00eb e \u00e7materializimit t\u00eb qenies njer\u00ebzore, t\u00eb \u00e7ekujlibrimit mendor-psikik, q\u00eb shoq\u00ebria shqiptare p\u00ebsoi gjat\u00eb atij regjimi.  
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–Tuneli i Muzeut Komb\u00ebtar t\u00eb P\u00ebrgjimeve t\u00eb Sigurimit t\u00eb Shtetit “Sht\u00ebpia me Gjethe” i b\u00ebrtet s\u00eb shkuar\u00ebs. Pse ishte kjo, vendndodhja e duhur p\u00ebr ekspozimin e instalacionit tuaj?<\/strong><\/p>\n\n\n\n

O.G. Me nj\u00eb dram\u00eb t\u00eb till\u00eb mbi supe nuk kishte vend m\u00eb t\u00eb p\u00ebrshtatsh\u00ebm p\u00ebr t\u00eb konkretizuar nj\u00eb ekspozit\u00eb t\u00eb till\u00eb, e cila n\u00ebp\u00ebrmjet hulumtimit t\u00eb err\u00ebsir\u00ebs k\u00ebrkon t\u00eb mb\u00ebrrij n\u00eb thell\u00ebsit\u00eb e koh\u00ebve t\u00eb tejshkuara, ashtu si dhe vet\u00eb tuneli i n\u00ebndhesh\u00ebm brenda barkut t\u00eb tok\u00ebs, ekzistenca e t\u00eb cilit nuk dihej para viti \u201990, por brenda tij p\u00ebrgjoheshin dhe shkruhej fati i shqiptar\u00ebve. Dhe sot p\u00ebr ironi t\u00eb fatit, pik\u00ebrisht n\u00eb brend\u00ebsi t\u00eb atij tuneli kam ngritur nj\u00eb ekspozit\u00eb, e cila rr\u00ebhen jo vet\u00ebm dram\u00ebn e familjes time, por edhe muzealizimin e nj\u00eb shkuare, q\u00eb ndryshoj fatet e \u00e7do familje shqiptare asokohe.  <\/p>\n\n\n\n

-N\u00eb ekspozit\u00ebn tuaj, ju integroni disa element. Zinxhiri, k\u00ebrmilli, syri jan\u00eb nj\u00eb pjes\u00eb e tyre. Si e p\u00ebrqasin ato koh\u00ebn e shkuar?<\/strong><\/p>\n\n\n\n

O.G. Ashtu si kanotieret edhe k\u00ebto element\u00eb mbartin simbolika t\u00eb ve\u00e7anta. Zinxhiri vjen si simbolik\u00eb e ngujimit, persekutimit dhe burgosjes s\u00eb individit dhe shpirtit njer\u00ebzor n\u00eb diktatur\u00eb, por sot ai zinxhir q\u00eb dikur mbyti lirin\u00eb e individit gjendet vet\u00eb i mbyllur brenda nj\u00eb kornize t\u00eb drunjt\u00eb, duke qendruar p\u00ebrball\u00eb disa portreteve t\u00eb f\u00ebmij\u00ebve t\u00eb palindur n\u00ebp\u00ebrmjet t\u00eb cil\u00ebve kam dashur t\u00eb p\u00ebrcjell frym\u00ebn e koh\u00ebs, at\u00eb t\u00eb fatit t\u00eb parashkruar q\u00eb n\u00eb embrion se si dhe cila do t\u00eb ishte e ardhmja e tyre si pjes\u00eb e nj\u00eb familje t\u00eb persekutuar, t\u00eb internuar dhe t\u00ebr\u00ebsisht t\u00eb shp\u00ebrfytyruar. Nd\u00ebrsa k\u00ebrmilli simbolizon koh\u00ebn, e cila kishte ndalur s\u00eb ekzistuari, ku askush nuk besonte m\u00eb n\u00eb nj\u00eb drit\u00eb n\u00eb fund t\u00eb tunelit, ashtu si dhe vet\u00eb tuneli ku gjendet ekspozita \u201cErr\u00ebsir\u00eb\u201d. Nj\u00eb qasje kjo e imja sa filozofike aq dhe konceptuale p\u00ebr t\u2019i dh\u00ebn\u00eb imazh nj\u00eb absurdi si ai i komunizmit n\u00eb Shqip\u00ebri, kjo pasi n\u00ebp\u00ebrmjet k\u00ebsaj ekspozite e kam par\u00eb individin n\u00eb dy p\u00ebrmasa, at\u00eb fizike dhe at\u00eb shpirt\u00ebrore. Syri gjendet mbi port\u00ebn hyr\u00ebse t\u00eb tunelit dhe n\u00eb nj\u00eb instalacion t\u00eb madh prej 42 fotografish n\u00eb bardh\u00eb e zi, si pjes\u00eb p\u00ebrb\u00ebr\u00ebse e ekspozit\u00ebs. \u00cbsht\u00eb trupi i coptuar i nj\u00eb gruaje, i nj\u00eb n\u00ebne, nga e cila lind jet\u00eb, por regjimi komunist i mbivendosi asaj barr\u00ebn e madhe t\u00eb p\u00ebr\u00e7mimit vet\u00ebm e vet\u00eb se ishte bij\u00eb dhe nuse nj\u00eb familjeje bejler\u00ebsh. Por, syri edhe si simbolik e t\u00eb parit, t\u00eb vrojtuarit t\u00eb gjith\u00e7kaje n\u00eb heshtje, memec, ku nuk dihej se nga t\u00eb vinte fatkeq\u00ebsia e radh\u00ebs, sepse edhe muret \u201ckishin vesh\u00eb\u201d! T\u00eb gjitha k\u00ebto simbolika p\u00ebrshkruajn\u00eb dhe p\u00ebrshkojn\u00eb koh\u00ebn e shkuar dhe t\u00eb shkuar\u00ebn e nj\u00eb kohe mbushur me ankthe dhe deformime psikike t\u00eb personalitetit t\u00eb nj\u00eb shoq\u00ebrie t\u00eb futur n\u00eb kurth nga mendje t\u00eb s\u00ebmura.  
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-N\u00eb muret e Muzeut, jo pa q\u00ebllim keni vendosur portrete fotografish t\u00eb shformuara. Bardhezit\u00eb, q\u00eb tentojn\u00eb t\u00eb dalin mbi terrin. Mes tyre, n\u00eb p\u00ebrmbyllje \u00ebsht\u00eb dhe portreti i vajz\u00ebs suaj. Si njihet ajo periudh\u00eb e p\u00ebrkthyer metaforikisht n\u00eb syt\u00eb e njer\u00ebzve? Mos \u00ebsht\u00eb kjo nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb kap\u00ebrcyer nga koha n\u00eb koh\u00eb, e p\u00ebr t\u00eb zbuluar t\u00eb v\u00ebrtetat e path\u00ebna?<\/strong><\/p>\n\n\n\n

O.G. Ekspozita \u00ebsht\u00eb e konceptuar enkas nj\u00ebngjyr\u00ebshe n\u00eb bardh\u00eb e zi, me p\u00ebrjashtim t\u00eb portretit t\u00eb vajz\u00ebs time Emily, e cila mbyll eshte udh\u00ebtimin ndjesor t\u00eb gjithkujt q\u00eb viziton k\u00ebt\u00eb ekspozit\u00eb. Kjo, pasi duke hulumtuar erresir\u00ebn si metafor\u00eb e diktatur\u00ebs kam dashur q\u00eb n\u00ebp\u00ebrmjet loj\u00ebs mes t\u00eb bardh\u00ebs dhe t\u00eb zez\u00ebs t\u00eb shp\u00ebrfaq ato ndjesi ligshtie q\u00eb karakterizuan at\u00eb sistem. P\u00ebr pasoj\u00eb,  vendosja e qenies njer\u00ebzore p\u00ebrball\u00eb err\u00ebsir\u00ebs (p\u00ebrball\u00eb g\u00ebrmadh\u00ebs q\u00eb la pas regjimi komunist), do t\u00eb zbulonte portrete njer\u00ebzore \u201ct\u00eb deformuara\u201d nga nj\u00eb jet\u00eb e jetuar plot dhimbje fizike, trauma psikike, intriga dhe p\u00ebrgjime gjat\u00eb regjimit komunist n\u00eb Shqip\u00ebri.<\/p>\n\n\n\n

-Familjar\u00ebt tuaj e kan\u00eb vuajtur n\u00ebn l\u00ebkur\u00eb komunizmin. Sa shp\u00ebrfaqet trishtimi i tyre n\u00eb k\u00ebt\u00eb ekspozit\u00eb?<\/strong><\/p>\n\n\n\n

O.G. Ekspozita frym\u00ebzohet v\u00ebrtet\u00eb nga trishtimi i prind\u00ebrve t\u00eb mi t\u00eb cil\u00ebt e p\u00ebrjetuan tmerrin e komunizmit n\u00ebn l\u00ebkur\u00ebn e tyre, por n\u00eb fakt, ajo \u00e7far\u00eb ekspozita p\u00ebrcjell \u00ebsht\u00eb nj\u00eb himn p\u00ebr jet\u00ebn, sepse Kanti n\u00eb filozofin\u00eb e tij t\u00eb s\u00eb drejt\u00ebs natyrore thot\u00eb se: \u201cne lindim t\u00eb lir\u00eb dhe si t\u00eb atill\u00eb do t\u00eb duhet edhe t\u00eb vdesim\u201d. Ndaj pavar\u00ebsisht \u00e7do sistemi politik, ku na bien fati t\u00eb jetojm\u00eb, ajo q\u00eb duhet mbizot\u00ebroj mbi gjith\u00e7ka \u00ebsht\u00eb jeta dhe liria p\u00ebr ta jetuar at\u00eb. N\u00eb nj\u00eb k\u00ebnd t\u00eb ekspozit\u00ebs n\u00eb pjes\u00ebn fundore t\u00eb tunelit gjenden p\u00ebrball\u00eb nj\u00ebri-tjetrit portretet e prind\u00ebrve t\u00eb mi, si nj\u00eb form\u00eb ballafaqimi p\u00ebr at\u00eb \u00e7far\u00eb kaluan dhe ku gjenden aktualisht t\u00eb varur portretet e tyre, por edhe si nj\u00eb paradhom\u00eb p\u00ebr t\u2019u futur m\u00eb pas n\u00eb nj\u00eb hap\u00ebsir\u00eb tep\u00ebr t\u00eb ngushte dhe ankthndjell\u00ebse, ku gjendet i varur n\u00eb vetmi vet\u00ebportreti im. Nj\u00eb simbolik\u00eb shum\u00eb kuptimplot\u00eb se asnj\u00ebher\u00eb nuk duhet r\u00ebn\u00eb n\u00eb humner\u00ebn e fatit t\u00eb shkruar nga t\u00eb tjer\u00ebt sesa rip\u00ebrteritjet e besimit tek vetja p\u00ebr ta shkruar vet\u00eb fatin t\u00ebnd, duke i mbijetuar k\u00ebsisoj nj\u00eb regjimi gjakatar si ai komunist n\u00eb Shqip\u00ebri.<\/p>\n\n\n\n

–Autoportreti juaj vjen i ekspozuar krejt ndryshe n\u00eb muze. Pse keni zgjedhur q\u00eb t\u00eb jet\u00eb i \u00e7rregullt?<\/strong><\/p>\n\n\n\n

O.G. Vet\u00ebportreti \u00ebsht\u00eb i prer\u00eb fash\u00eb, i gozhduar dhe mbi krye qendron n\u00eb heshtje nj\u00eb k\u00ebrmill i tejduksh\u00ebm prej qelqi. Kjo n\u00eb analogji me dhimbjen e Krishtit t\u00eb gozhduar p\u00ebr fatin e njer\u00ebzimit, por un\u00eb u b\u00ebra kurban p\u00ebr at\u00eb t\u00eb familjes time, sepse ndon\u00ebse n\u00eb vitin 1990 isha n\u00eb klas\u00ebn e par\u00eb dhe Shqip\u00ebria kishte marr\u00eb nj\u00eb tjet\u00ebr udh\u00eb zhvillmore, p\u00ebrjashtimi ndaj meje vijonte ende si pjes\u00eb e nj\u00eb familje t\u00eb presekutuar. Ndodhi t\u00eb cilat kan\u00eb l\u00ebn\u00eb gjurm\u00eb t\u00eb varura brenda mureve t\u00eb mia t\u00eb mishta, duke i rr\u00ebfyer ato fal\u00eb k\u00ebtij vet\u00ebportreti t\u00eb varur ve\u00e7uar nga portretet e tjera, si nj\u00eb m\u00ebnyr\u00eb meditimi midis t\u00eb shkuar\u00ebs dhe t\u00eb ardhmes.<\/p>\n\n\n\n

-Artistikisht ju keni lirin\u00eb t\u00eb kap\u00ebrceni e t\u00eb rrokni koh\u00eb e ndjesi. Sa ndihet kjo n\u00eb punimet tuaja?<\/strong><\/p>\n\n\n\n

O.G. -Krijimtaria ime artistike \u00ebsht\u00eb e p\u00ebrqendruar n\u00eb hulumtimin e gjurm\u00ebs s\u00eb qenies njer\u00ebzore, duke rith\u00ebrritur at\u00eb t\u00eb humanizmit t\u00eb Petrark\u00ebs, por sigurisht\u00eb duke u frym\u00ebzuar nga fenomenologjia e Homo Albanicus, q\u00eb p\u00ebr mua ka nj\u00eb r\u00ebnd\u00ebsi par\u00ebsore p\u00ebr ta hulumtuar e m\u00eb pas p\u00ebr ta shnd\u00ebrruar n\u00eb nj\u00eb estetik\u00eb t\u00eb artit tim surreal-konceptual. Ekspozita \u201cErr\u00ebsir\u00eb\u201d \u00ebsht\u00eb nj\u00eb koncept, q\u00eb form\u00ebson nj\u00eb udh\u00ebtim sa real e vetjak aq edhe imagjinar\u00eb n\u00ebp\u00ebr koh\u00eb, ku publiku nd\u00ebrton m\u00ebrr\u00ebdh\u00ebnien e tij me vepr\u00ebn, ngre dialog\u00eb me t\u00eb e m\u00eb pas p\u00ebson nj\u00eb vet\u00ebpastrim t\u00eb nd\u00ebrgjegjes p\u00ebr t\u00eb kuptuar m\u00eb mir\u00eb dram\u00ebn e atij regjimi, p\u00ebr t\u00eb vler\u00ebsuar m\u00eb shum\u00eb lirin\u00eb q\u00eb g\u00ebzojm\u00eb sot.<\/p>\n\n\n\n

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Fabjola Kuburi: Err\u00ebsir\u00eb, si nj\u00eb drit\u00eb p\u00ebr t\u00eb zbuluar shpirtrat q\u00eb regjimi komunist i pluhurosi, i internoi, i vrau. P\u00ebrmes k\u00ebsaj ekspozite, ju kujtoni madh\u00ebshtin\u00eb e tyre dhe i risillni n\u00eb v\u00ebmendje p\u00ebr shoq\u00ebrin\u00eb. Si lindi ngacmimi p\u00ebr ta realizuar k\u00ebt\u00eb ekspozit\u00eb? O.G-Err\u00ebsira \u00ebsht\u00eb metafora e nj\u00eb t\u00eb shkuare sa si p\u00ebrkat\u00ebsi familjare, aq dhe […]<\/p>\n","protected":false},"author":5,"featured_media":28905,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-28889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualitet"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/28889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=28889"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/28889\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/28905"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=28889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=28889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=28889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}