P\u00ebr shkak t\u00eb komercializmit ose stresit t\u00eb p\u00ebrgjithsh\u00ebm, ekziston nj\u00eb tendenc\u00eb sot, q\u00eb t\u00eb sillen n\u00eb sken\u00eb apo ekrane, skenare humoristike, apo skenare dramatike, t\u00eb trajtuara me humor. Kjo \u00ebsht\u00eb pik\u00ebrisht ajo q\u00eb nuk ndodh n\u00eb dram\u00ebn q\u00eb po vihet n\u00eb sken\u00ebn e Teatrit Komb\u00ebtar. \u201cMallkimi i fukarenjve\u201d, vjen m\u00eb tep\u00ebr sesa dram\u00eb, si nj\u00eb tragjedi familjare dhe spektatori del prej saj i mbuluar nga pik\u00ebpyetje p\u00ebr jet\u00ebn e tij, nd\u00ebrsa ka marr\u00eb dhe ka b\u00ebr\u00eb t\u00eb vet\u00ebn dram\u00ebn e personazheve q\u00eb e kan\u00eb v\u00ebn\u00eb jet\u00ebn e gjithkujt n\u00eb sken\u00eb. Kjo ishte ndjesia q\u00eb m\u00eb la \u201cMallkimi i fukarenjve\u201d dhe q\u00eb m\u00eb shtyu t\u00eb b\u00ebja patjet\u00ebr pjes\u00eb t\u00eb gazet\u00ebs, nj\u00ebr\u00ebn nga aktoret e saj, Esel\u00ebn, e cila n\u00eb sken\u00eb vjen si Ema. E njihni aktoren edhe n\u00eb ekran, si imazh t\u00eb nj\u00eb reklame, por un\u00eb n\u00eb fakt, desha t\u00eb ndalem pik\u00ebrisht te personazhi i saj dhe tek ajo vet\u00eb, nj\u00eb aktore e re, q\u00eb duket se premton shum\u00eb… <\/p>\n
Blerina \u00c7izmja: – Esela, si ndihesh n\u00eb rolin e nj\u00eb adoleshenteje rebele? Sa prej teje ka personazhi q\u00eb ti interpreton?
\nEsela Pysqyli: – Nuk \u00ebsht\u00eb hera e par\u00eb q\u00eb luaj nj\u00eb adoleshente me pesh\u00eb dramaturgjike; \u00ebsht\u00eb nj\u00eb sfid\u00eb me t\u00eb cil\u00ebn jam p\u00ebrballur disa her\u00eb. Por, k\u00ebsaj here, p\u00ebrve\u00e7se jam m\u00eb e rritur, 29 vje\u00e7e (buz\u00ebqesh), Ema \u00ebsht\u00eb nj\u00eb adoleshente krejt ndryshe nga t\u00eb gjitha rolet e tjera dhe shum\u00eb e ndryshme edhe nga un\u00eb n\u00eb adoleshenc\u00eb. E vetmja pik\u00eb e p\u00ebrbashk\u00ebt \u00ebsht\u00eb energjia, sidomos p\u00ebrsa u p\u00ebrket nervave…
\n– \u00c7far\u00eb pa t\u00eb p\u00ebrshtatshme te ti regjisori, p\u00ebr t\u00eb t\u00eb shnd\u00ebrruar nga Esela, n\u00eb Em\u00eb?
\n– P\u00ebr t\u00eb qen\u00eb Ema, un\u00eb kam fituar nj\u00eb audicion, pasi Ka\u00e7i (Kastriot \u00c7ipi) nuk m\u00eb njihte m\u00eb par\u00eb. Sigurisht, ka qen\u00eb nj\u00eb surpriz\u00eb shum\u00eb e bukur q\u00eb fitova dhe u b\u00ebra pjes\u00eb e trup\u00ebs s\u00eb aktor\u00ebve.
\n– N\u00eb \u201cMallkimi i fukarenjve\u201d t\u00eb gjitha personazhet jan\u00eb n\u00eb k\u00ebrkim t\u00eb liris\u00eb s\u00eb tyre… Ti (Ema) k\u00ebrkon me \u00e7do kusht t\u00eb largohesh nga familja jote. Ka ndodhur n\u00eb ndonj\u00eb moment t\u00eb jet\u00ebs t\u00ebnde nj\u00eb gj\u00eb e ngjashme me k\u00ebt\u00eb?
\n– Un\u00eb jam larguar nga familja ime p\u00ebr shkak t\u00eb dashuris\u00eb, po sigurisht, ka pasur momente gjat\u00eb adoleshenc\u00ebs q\u00eb p\u00ebr t\u00eb pasur lirin\u00eb, n\u00eb nj\u00eb kuptim m\u00eb t\u00eb ngusht\u00eb sesa liria q\u00eb k\u00ebrkon Ema, kam \u00ebnd\u00ebrruar q\u00eb t\u00eb jetoja vet\u00ebm. Por, kan\u00eb qen\u00eb momente q\u00eb kan\u00eb zgjatur shum\u00eb pak. Tani q\u00eb jam larg, e kam k\u00ebnaq\u00ebsi t\u00eb kthehem te mami e babi.
\n– Sa t\u00eb p\u00ebrbashk\u00ebta ka me realitetin ton\u00eb, drama e dramaturgut amerikan?
\n– Shum\u00eb t\u00eb p\u00ebrbashk\u00ebta. Drama \u00ebsht\u00eb e fuqishme sepse \u00ebsht\u00eb gjith\u00ebp\u00ebrfshir\u00ebse dhe pa koh\u00eb. Kudo e kurdo ka familje si kjo e jona, sisteme shoq\u00ebrie si ky, njer\u00ebz q\u00eb shfryt\u00ebzojn\u00eb dob\u00ebsin\u00eb e t\u00eb tjer\u00ebve p\u00ebr p\u00ebrfitim, njer\u00ebz t\u00eb paaft\u00eb p\u00ebr ta ndryshuar p\u00ebr mir\u00eb realitetin rrethues. Ndaj vepra \u00ebsht\u00eb kaq njer\u00ebzore e i flet kaq qart\u00eb realitetin ton\u00eb tani.
\n– N\u00eb fund t\u00eb shfaqjes, spektatori mbetet me shijen e trishtimit dhe n\u00eb nj\u00ebfar\u00eb m\u00ebnyre, ndihet i p\u00ebrfshir\u00eb, pasi sheh veten n\u00eb at\u00eb sken\u00eb… \u00cbsht\u00eb kjo merit\u00eb e dram\u00ebs, e aktrimit fantastik, apo e nj\u00eb realiteti t\u00eb hidhur t\u00eb cilit nuk i shp\u00ebtojm\u00eb dot?
\n– N\u00ebse spektatori del nga salla me ndjesin\u00eb e boshll\u00ebkut, t\u00eb trishtimit dhe b\u00ebhet pjes\u00eb e dram\u00ebs, kjo \u00ebsht\u00eb arritje e t\u00eb gjith\u00eb p\u00ebrb\u00ebr\u00ebsve t\u00eb shfaqjes. Sigurisht, drama jep nj\u00eb ndihm\u00eb t\u00eb madhe dhe p\u00ebrb\u00ebn nj\u00eb pik\u00ebnisje t\u00eb mir\u00eb p\u00ebr nj\u00eb sukses t\u00eb mundsh\u00ebm. P\u00ebr aktrimin nuk flas dot, sepse jam e p\u00ebrfshir\u00eb emocionalisht dhe nuk mund t\u00eb jem objektive.
\n– A \u00ebsht\u00eb kjo edhe situata e aktor\u00ebve sot, q\u00eb duan t\u00eb ikin, p\u00ebr t\u00eb patur mund\u00ebsi m\u00eb t\u00eb m\u00ebdha?
\n– Besoj se \u00ebsht\u00eb d\u00ebshir\u00eb e t\u00eb gjith\u00eb artist\u00ebve t\u00eb p\u00ebrballen me realitete t\u00eb tjera artistike jasht\u00eb vendit. Kjo \u00ebsht\u00eb nj\u00eb mund\u00ebsi shum\u00eb e mir\u00eb zhvillimi. R\u00ebnd\u00ebsi ka q\u00eb motivi t\u00eb jet\u00eb p\u00ebr t\u00eb sjell\u00eb n\u00eb realitetin ton\u00eb artistik, frym\u00eb t\u00eb re.
\n– P\u00ebr ne q\u00eb e shohim nga pozicioni i spektatorit, teatri \u00ebsht\u00eb v\u00ebrtet nj\u00eb magji. Po p\u00ebr nj\u00eb aktore teatri?
\n– Edhe p\u00ebr mua \u00ebsht\u00eb magji! N\u00eb \u00e7do pun\u00eb q\u00eb b\u00ebj, e k\u00ebrkoj me ngulm krijimin e nj\u00eb magjie t\u00eb till\u00eb q\u00eb t\u00eb p\u00ebrfshij\u00eb t\u00eb gjith\u00eb, por p\u00ebr fat t\u00eb keq, kjo nuk ndodh \u00e7do her\u00eb. Shpesh, ka vet\u00ebm grimca t\u00eb saj.
\n– Cila ka qen\u00eb shtysa m\u00eb e madhe q\u00eb ke patur p\u00ebr t\u2019u b\u00ebr\u00eb aktore?
\n– Nuk e di p\u00ebrse kam dashur gjithmon\u00eb vet\u00ebm k\u00ebt\u00eb profesion.
\n– N\u00eb \u00ebndrrat e nj\u00eb vajze, aktrim do t\u00eb thoshte…
\n– Aktrim do t\u00eb thoshte liri, shpengim, magji, emocion i vazhduesh\u00ebm, \u00e7menduri, shk\u00ebputje nga realiteti, jet\u00eb…
\n– Po sot, n\u00eb syt\u00eb e nj\u00eb profesionisteje, \u00e7far\u00eb do t\u00eb thot\u00eb aktrim?
\n– N\u00eb syt\u00eb e nj\u00eb profesionisteje, shpesh, t\u00eb gjith\u00eb k\u00ebta mbiemra q\u00eb p\u00ebrmenda m\u00eb sip\u00ebr jan\u00eb t\u00eb zbeht\u00eb dhe mbeten vet\u00ebm n\u00eb tentativ\u00eb, por n\u00eb d\u00ebshir\u00ebn time, aktrimi mbetet gjithmon\u00eb nj\u00eb \u00ebnd\u00ebrr-realitet shum\u00eb i bukur.
\n– Me \u00e7far\u00eb do ta nd\u00ebrroje teatrin? \u00c7far\u00eb t\u00eb jep nj\u00eb ndjesi t\u00eb ngjashme me at\u00eb q\u00eb p\u00ebrjeton nd\u00ebrsa aktron n\u00eb sken\u00eb?
\n– N\u00ebse nj\u00eb dit\u00eb do t\u00eb heq dor\u00eb nga teatri, do ta b\u00ebj vet\u00ebm p\u00ebr t\u00eb ndihmuar n\u00eb m\u00ebnyr\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb njer\u00ebzit q\u00eb kan\u00eb nevoj\u00eb, sidomos f\u00ebmij\u00ebt. Ndjesia q\u00eb t\u00eb jep t\u2019i fal\u00ebsh lumturi nj\u00eb f\u00ebmije \u00ebsht\u00eb ndoshta edhe m\u00eb e fuqishme se magjia n\u00eb t\u00eb cil\u00ebn t\u00eb p\u00ebrfshin teatri.
\n– Po nj\u00eb ndjesi t\u00eb ngjashme me at\u00eb q\u00eb p\u00ebrjeton kur duatrokitesh?
\n– Kur njer\u00ebzit duartrokasin p\u00ebr ty \u00ebsht\u00eb nj\u00ebsoj si takimi i par\u00eb q\u00eb ke d\u00ebshiruar prej shum\u00eb koh\u00ebsh, nj\u00ebsoj si ndjesia q\u00eb t\u00eb jep nj\u00eb \u201cbravo\u201d nga prind\u00ebrit, nj\u00ebsoj si nj\u00eb \u201cfaleminderit\u201d q\u00eb merr pas nj\u00eb p\u00ebrpjekjeje t\u00eb sinqert\u00eb…
\n– Nj\u00eb aktor investon n\u00eb sken\u00eb me shpirtin e tij… Ia vlen?
\n– Gjithmon\u00eb ia vlen! Derisa t\u00eb ket\u00eb spektator\u00eb q\u00eb zgjedhin t\u00eb t\u00eb falin koh\u00ebn e tyre, gjithmon\u00eb do t\u2019ia vlej\u00eb.
\n– A ka nj\u00eb aktor q\u00eb ka qen\u00eb gjithmon\u00eb etalon p\u00ebr ty? N\u00ebse do t\u00eb t\u00eb pyesnin se karrier\u00ebn e kujt do t\u00eb doje t\u00eb kishe…
\n– Kam shum\u00eb aktor\u00eb t\u00eb cil\u00ebt i \u00e7moj n\u00eb distanc\u00eb, i adhuroj e i ndjek, por asnj\u00ebher\u00eb nuk kam menduar \u201csikur t\u00eb isha n\u00eb vend t\u00eb dikujt\u201d. Ajo q\u00eb dua \u00ebsht\u00eb t\u00eb jem ne vendin e duhur e n\u00eb momentin e duhur. Kjo do t\u00eb m\u00eb b\u00ebnte shum\u00eb pun\u00eb\u2026 (Qesh)
\n– Kur futesh n\u00eb sken\u00eb dhe para teje \u00ebsht\u00eb nj\u00eb sall\u00eb me njer\u00ebz q\u00eb t\u00eb ndjekin, \u00e7far\u00eb mendon?
\n– \u00cbsht\u00eb k\u00ebnaq\u00ebsi… ndoshta edhe pak egoiste. Ndiej edhe p\u00ebrgjegj\u00ebsi n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb.
\n– Sa emocionuese \u00ebsht\u00eb p\u00ebr ty sot ngjitja n\u00eb sken\u00eb?
\n– P\u00ebrpiqem me t\u00eb gjitha forcat q\u00eb pavar\u00ebsisht gjith\u00e7kaje, t\u00eb jet\u00eb, mbi t\u00eb gjitha, emocionuese.
\n– Po n\u00eb fillimet e tua?
\n– Ka qen\u00eb m\u00eb emocionuese se\u00e7 duhet, shum\u00eb e vrullshme, me ndjesi t\u00eb rr\u00ebmujshme, role t\u00eb m\u00ebdha, k\u00ebnaq\u00ebsi prej f\u00ebmije t\u00eb mbushur me \u00ebndrra, plot me nervoziz\u00ebm p\u00ebr gj\u00ebra q\u00eb nuk i kisha n\u00ebn kontroll. Ndoshta vazhdon t\u00eb jet\u00eb k\u00ebshtu! (Qesh)
\n– A jan\u00eb t\u00eb gjith\u00eb aktor\u00ebt njer\u00ebz q\u00eb e p\u00eblqejn\u00eb t\u00eb qenit n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes?
\n– N\u00eb sken\u00eb, dua t\u00eb jem n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes! N\u00eb jet\u00eb, zhdukem fshehurazi nga teatri me kapu\u00e7 n\u00eb kok\u00eb. (Buz\u00ebqesh)
\n– Esela, e shikon veten n\u00eb skena teatri apo n\u00eb ekrane bot\u00ebrore kinemaje?
\n– E shoh me k\u00ebnaq\u00ebsi veten si n\u00eb teat\u00ebr, si n\u00eb film. Bot\u00ebrore… ndoshta n\u00eb \u00ebndrra.
\n– T\u00eb gjith\u00eb synojm\u00eb t\u00eb japim di\u00e7ka me realizimin e \u00ebndrr\u00ebs son\u00eb. N\u00ebse aktrimi ka qen\u00eb \u00ebndrra jote, \u00e7far\u00eb synoje t\u00eb sillje te t\u00eb tjer\u00ebt n\u00ebp\u00ebrmjet realizimit t\u00eb saj?
\n– Arti \u00ebsht\u00eb arg\u00ebtim, reflektim, thirrje p\u00ebr angazhim. T\u00eb jesh aktore do t\u00eb thot\u00eb t\u00eb jesh pjes\u00ebmarr\u00ebse n\u00eb realizimin e k\u00ebtij q\u00ebllimi.
\n– A u jep mund\u00ebsi sa duhet skena jon\u00eb aktor\u00ebve?
\n– Jo aq mund\u00ebsi sa duhet, por kudo \u00ebsht\u00eb e v\u00ebshtir\u00eb. Ai q\u00eb mundet, do e ngulmon, arrin. Kjo \u00ebsht\u00eb pjes\u00eb e t\u00eb qenit artist.
\n– N\u00ebse do t\u00eb ekzistonte mund\u00ebsia p\u00ebr t\u00eb \u201cadoptuar nj\u00eb aktor\u201d, nga kush dhe ku do t\u00eb doje t\u00eb \u201cadoptoheshe\u201d?
\n– Si aktore do t\u00eb doja t\u00eb “adoptohesha” nga nj\u00eb kompani private q\u00eb b\u00ebn teat\u00ebr t\u00eb mir\u00eb dhe q\u00eb sh\u00ebtit gjith\u00eb bot\u00ebn.<\/p>\n
N\u00ebse do t\u00eb kishe n\u00eb dor\u00eb llamb\u00ebn e Aladinit…<\/p>\n
…sa koh\u00eb do t\u00eb t\u00eb duhej p\u00ebr t\u00eb p\u00ebrzgjedhur tri d\u00ebshirat e tua m\u00eb t\u00eb m\u00ebdha?
\n– Pa fund. N\u00ebse m\u00eb vendos rregulla, m\u00eb mir\u00eb mos prit gj\u00eb nga un\u00eb!
\n…cilat do t\u00eb ishin k\u00ebto d\u00ebshira?
\n– E vetmja d\u00ebshir\u00eb q\u00eb m\u00eb vjen natyrsh\u00ebm, pa e detyruar veten t\u00eb mendohem, \u00ebsht\u00eb t\u00eb fal lumturi. Dhe, e kam fjal\u00ebn, qoft\u00eb edhe nj\u00eb buz\u00ebqeshje q\u00eb shpeshher\u00eb mezi del, e shkreta.
\n…cilin rol do t\u00eb zgjidhje p\u00ebr veten?
\n– \u00c7do rol n\u00eb nj\u00eb dramaturgji t\u00eb mir\u00eb.
\n…n\u00eb cilin vend do t\u00eb doje t\u00eb kishe lindur?
\n– N\u00ebse kam lindur k\u00ebtu, kjo e ka nj\u00eb arsye. Por, n\u00ebse do mundesha t\u00eb zgjidhja p\u00ebr nj\u00eb jet\u00eb tjet\u00ebr, do t\u00eb zgjidhja Madridin ose Barcelon\u00ebn.
\n…\u00e7far\u00eb do t\u2019i ndryshoje realitetit shqiptar?
\n– Aq shum\u00eb gj\u00ebra sa nuk di nga t\u2019ia filloj. Po, si fillim, q\u00ebndrimin negativ mosbesues dhe tendenc\u00ebn p\u00ebr t\u00eb mos marr\u00eb p\u00ebrgjegj\u00ebsi.
\n…\u00e7far\u00eb do t\u2019i ndryshoje jet\u00ebs t\u00ebnde?
\n– Jet\u00ebn time dua vet\u00ebm ta p\u00ebrmir\u00ebsoj, jo ta ndryshoj.<\/p>\n","protected":false},"excerpt":{"rendered":"
P\u00ebr shkak t\u00eb komercializmit ose stresit t\u00eb p\u00ebrgjithsh\u00ebm, ekziston nj\u00eb tendenc\u00eb sot, q\u00eb t\u00eb sillen n\u00eb sken\u00eb apo ekrane, skenare humoristike, apo skenare dramatike, t\u00eb trajtuara me humor. Kjo \u00ebsht\u00eb pik\u00ebrisht ajo q\u00eb nuk ndodh n\u00eb dram\u00ebn q\u00eb po vihet n\u00eb sken\u00ebn e Teatrit Komb\u00ebtar. \u201cMallkimi i fukarenjve\u201d, vjen m\u00eb tep\u00ebr sesa dram\u00eb, si nj\u00eb […]<\/p>\n","protected":false},"author":5,"featured_media":13436,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-13435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-televizion"],"_links":{"self":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/13435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/comments?post=13435"}],"version-history":[{"count":0,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/posts\/13435\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media\/13436"}],"wp:attachment":[{"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/media?parent=13435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/categories?post=13435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/intervista.al\/web\/wp-json\/wp\/v2\/tags?post=13435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}